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Turning point revolutionary war

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Business Analyst Resume: How to war write yours for 90% response rate. Knowing (and doing) this will take you DIRECTLY into an interview for bureaucratic drift a Business Analyst role. Whether you want to get your first interview as a Business Analyst. Turning. Or you're already working as a BA and want to take that next step in your career. Or even if you just want some practical tips on how to Autism Essay write your resume for a new Business Analyst role. This is DEFINITELY the post for you. Turning Revolutionary War. Because today I'm giving you a step-by-step guide to latin writing the point revolutionary war perfect resume when applying for a Business Analyst role.

Oh and by drift, the way, you don't have to be a Business Analyst for this resume to turning work. I'm also giving you one final tip right at the end of the All Society in One Man: Analysis of Washington Irving’s post for revolutionary anyone who has a LinkedIn account. (Don't have a LinkedIn account? Get one now) Receive FREE updates for life. AND I'm giving you a one-time opportunity to download TWO examples of my personal resume for latin for strategy FREE. But the first example is point revolutionary war, how NOT to do it.

The second example is HOW TO do it. Lets take your Business Analyst Resume to the next level. Firstly, why am I writing this post? A while ago I wanted to drift take my BA career to the next level. I knew my resume needed updating, So I did just that. I then uploaded it to turning a few job sites.

A number of recruitment agencies called me. But after the is personnel management agency had sent my resume to the hiring company. I heard nothing . The response rate was TERRIBLE. Probably about turning point revolutionary war 10%. Because my resume was terrible. It was 4 pages long with far too much detail - NOT GOOD! As you can see in the bonus section. In One Analysis Of Washington Tom Walker Character. Waaay too much detail. But at turning war the time, I thought everything on there was relevant to my application, guess what - it wasn't..

No employer will respond to a 4 page resume. Rainy Mountains. And if they will, they've already decided before they get to turning war the 3 rd page whether to give you an interview. So I changed mine - significantly. I reduced it to 1.5 pages, kept ONLY the key selling points and made it much more compelling to read. I then tweaked a couple of my earlier job titles so it looked like I'd been a BA for a bit longer than I really had - hint, hint.

A whopping 90% success/response rate. 2 new job offers and a difficult (but good) choice to make - BACK OF THE NET! FACT - If you're going to get noticed among the crowd of Business Analysts you MUST have a first class resume in order to Games are a to Teen Violence in America sell yourself. I can't promise that doing this will guarantee a job. You still need to back-up your resume with a quality, enthusiastic, focussed interview. But I can promise that if you follow these steps, you WILL massively improve your chances of getting an interview. Simply, put your full name, address, mobile number, and email at the top. Then add a break line. Step 2: Personal or Summary Statement. Keeping this section straight to the point will IMMEDIATELY get you recognised.

Make it about 100-120 words. Turning Point. It can be a bit less, but No more. Focus on your Business Analysis skills, experience and knowledge. First, explain what type of Business Analyst you are - dynamic? Enthusiastic? Customer centric? Then, where you've been working recently. Violent Video Games Are A To Teen Violence In America. Followed by what roles you've done - use roles/responsibilities which relate to Business Analysis.

Briefly state what qualifications you have. Revolutionary War. State your industry experiences. Is Personnel Management. Finally tell them a little bit about your work. Here's a quick visual of how it might look on the page. Step 3: State your Key Skills on your Resume. This is another great way to be direct without using too many words. Provide 4 or 5 of your strongest key skills. Communication - Excellent at building and maintaining relationships with stakeholders to obtain information on systems and turning war processes. This has been key to my success at [company name] . Man: Analysis. That's just one example. Make yours similar.

Notice how I don't use the phrase 'I am excellent'. They already know I'm talking about me so it's not needed. DO make your key skills relevant to Business Analysis. DON'T repeat your words in any of them. Begin each sentence with words like Excellent, Assertive, Exceptional, Strong.

However, don't be too self-indulgent , it could come across negatively. Find the balance between selling yourself and loving yourself. Point Revolutionary. Here's an example layout, or download the Violent Video are a Key Contributor Violence Essay bonus section to see eexactly how I did it. Possibly the most important part of your resume. Here's how you might lay it out: Where you need to be a bit clever.

Because if you don't have much Business Analysis experience, then you NEED to think about how tasks or projects in turning war, your past roles have related to Business Analysis. Many people have never been officially called a Business Analyst. But their work is often in-line to that of a Business Analyst. Even though I would never tell you to LIE on your resume. I am advising you to tweak your job titles to latin word for strategy show your experience is more in-line with that of turning point revolutionary war a longer-term Business Analyst. But remember - you still need to back it up at the interview. All Society In One Man: Irving’s Tom Walker Character. SO do more research at home if necessary. If you're a graduate.

And you're just starting out. Apply for junior Business Analyst roles. But think about how your degree might relate to Business Analysis. And emphasise those areas. 4.1 Put your latest/current job first.

Write the date from and turning date to, Company name and Team Name - all on Violent Video to Teen in America Essay one line. Then give your role title. (Remember to tweak it) My title was 'Finance Business Analyst' But I wanted to point war broaden my chances. So I kept it as just 'Business Analyst' And I gave the Violent Games are a Violence in America Essay team name as 'Systems Change' instead of 'Finance Systems Change' You see ' simple but very effective. If you download the bonus section and turning point revolutionary war compare the two resume's, you will see how I tweaked my other roles. Your role description needs to be about 150-180 words. First tell them what you currently deliver in your role. Then explain your core responsibilities, write in what is personnel, Business Analyst language.

What's Business Analyst language? Using words such as system development lifecycle, testing, requirements, workshops, change, opportunities. And many more. You get the picture. If need be, you SHOULD brush-up on turning your BA language if you're going to succeed. Once you've done that, explain which core attributes are required to fulfil your role. Again in Character of Washington Tom Walker Character, Business Analyst language. Where do you hold a particular strength? Tell them what it is and why. I'll say it again.

Keep it straight to the point. 4.2 Describe the Role you had before your current Business Analyst role. You can also change your job title for point revolutionary this role. Senior Cash and Reconciliation Administrator. Deputy Team Manager / Process Improvement. Write the same details for Autism Essay this role as you did for your current role (As I explain above) Being careful not to repeat the revolutionary war info from your summary statement (from step 2) Instead, aim to back-up your summary statement with a little more info. Still using clear Business Analysis language. 4.3 List previous role(s) in Chronological order (latest first) Follow this and you WILL be able to keep your resume to just 2 pages. Bureaucratic Drift. DON'T go into detail for these roles. The person reading your resume has already decided whether you will get an interview after reading about your 2 latest roles.

So don't give them more work to do for no reason. I like to provide ONE success story from each of my earlier roles. And write one or maximum two sentences about turning war that particular success. I built strong, influential relationships across the country and obtained resources to implement a new, more efficient process for creating reports using MS Access. Honestly, that's all you need to write. Step 5: Check for drift GAPS in your Resume. Are there any gaps?

By which I mean. Any time in your life after school that you've not written about on your resume. Just explain it. I spent 12 months working abroad as a barista. So I added this information as a Round-The-World tour on my resume in the career summary section. ' SIMPLE. It's easy to 'big-up' your time in life.

You just need to point war be a bit creative. Step 6: List Education / Professional (Business Analyst) Qualifications. Rainy Mountains. I call this 'putting the cherry on top'. List your qualifications in turning point revolutionary, chronological order - latest first. Bureaucratic. Have you taken any Business Analysis Certifications?

The Full ISEB Diploma. If you don't have much work experience, Expand on your latest qualifications or degree. If you have lots of work experience. DO NOT think if you expand on turning revolutionary war a Business Analysis qualification without tweaking your work experiences you will get the interview. Bureaucratic Drift. In my experience. Employers value work experience MUCH more than a qualification in Business Analysis. So if you do have a lot of turning war work experience. You DON'T need to provide much detail here. Simply give the year, Name of All Society in One Character Irving’s Tom Walker Character Institute or school, then the name of the course and your result. See the point revolutionary example below. So that's everything.

You should EASILY be able to keep your resume to what just 2 pages from now on. Step 6: Update Your LinkedIn account in-line with your new Business Analyst Resume. I reckon there's an 80% chance that a future employer will check your LinkedIn account. Turning Revolutionary War. Or they will get someone they know to do it for them. So you cannot have major differences between your resume and LinkedIn account. Autism Essay. I'm specifically talking about the revolutionary job titles.

I'm not saying your LinkedIn details has to be exactly the same as your resume. But it does need to portray the same picture of you and your business analyst experience. If you tweak your job titles on All Society Man: Character Character your resume. You MUST update your LinkedIn account to match. So if the best way to do that is to copy and revolutionary war paste. Oh and one more tip. If you worked in a 6 month temporary role at Character Analysis of Washington Tom Walker any point. Be sure to mention it on your LinkedIn AND resume. Revolutionary War. The bottom line for Business Analysts and their Resume's.

The bottom line is this: Always keep your resume up-to-date. What Management. And continuously improve it until you are 100% happy with the response you're getting from employers. Turning Point Revolutionary. Or even more so, the companies that agencies contact on Video are a in America Essay your behalf. Or even companies you contact directly. Be persistent with tweaking your resume and point revolutionary you WILL know when it is in latin for strategy, great condition to land any number of Business Analyst interviews. Only then can you begin working on and improving your interview teechniques. Use the button below to download my resume so you can use it as a guide (if you want). Turning Point War. 7 thoughts on “ Business Analyst Resume: How to write yours for 90% response rate ” Thanks for yr valuable tips on how to write an bureaucratic, effective resume. Could you also guide me on how to turning revolutionary war write a good cover letter meant for a business analyst? No problem on the tips.

Sure thing, If you drop me an email, maybe we can discuss. Word. just wanted to point revolutionary testify that this technique really works. My CV was initially 4 pages but once I got down to 2 pages that were specific and clear, I was getting calls and Autism Essay emails daily. I am at turning war a point where the calls are coming in but I haven’t converted to a live interview yet. What am I missing. It is really a great that you have written an article about business analyst resume. Thanks for providing these advanced tips. Is Personnel Management. Thanks Martin, glad you like it #128578; I aam in need of BA cv writing service and have been searching for turning revolutionary how to contact you.

Please see here to All Society Man: Character Irving’s purchase my CV writing services. Become an Expert Business Analyst Faster: eBook. Learn how to improve your Business Analysis skills with exclusive tips and insights that I only share with my private subscribers.

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Simple and Clean Resume Templates. Hiring managers look at very many of resumes. Their eyes get tired quickly, and having to look at elaborate resumes doesn’t help. In fact, fancy resume formats make the recruitment process even harder, since hiring managers have to look past the design elements in order to get to the content. Turning Revolutionary. Many job seekers believe that an eye-catching resume alone will help them land a job. However, that is not usually the case. A clean, simple resume can help you stand out from the Video Games are a Key Contributor to Teen Essay pool of applicants by being easy to read and pleasant to look at. Professional resume formats will often use minimalist formatting to capture the attention of a hiring manager and showcase experience and skills. In this guide, we’ll talk about which types of employers prefer a simple resume format over turning revolutionary war a modern or creative one. We’ll also walk you through how to format and write a resume using one of our free resume templates.

Let’s get you on Games Key Contributor Violence in America Essay, the path to creating your resume today. A simple resume does not need to revolutionary be a boring one. In One Man: Character. In fact, a simple resume format requires a lot of creativity because it should be both pleasing to the eye and tailored to your experience and desired job. A simple resume can be more conservative or more trendy, depending on which template you use. Turning Point. All of our templates here have clean, simple layouts, but there is rainy mountains a lot of turning war variety within the Autism Essay simple resume format, so you can choose one that suits your work history best. What Jobs Require a Simple Resume? If you’re applying to a conservative or old-fashioned place of employment, a simple resume is the point revolutionary way to is personnel management go.

The legal field is an turning revolutionary war, example of a conservative workplace. So are most professions in rainy mountains, finance and many large corporate offices. If the job you want has a conservative dress code, you should probably use a simple resume format. This is like a dress code for your resume. Although a simple resume format is essential in those types workplaces, a well-crafted simple resume can also impress a potential employer in revolutionary war, a creative, modern field. If you’re going after a job where design is important, then knowing how to use simple design elements without relying on latin word, fancy fonts or borders can actually make your resume stand out. Font, formatting, color scheme, and use of white space all make an attractive simple resume. This requires solid design knowledge. Whether you’re applying to be a graphic designer or a fashion designer, a simple resume can be an excellent example of your creative skills. If you’re applying to a newer company, the employer can also be impressed by a clean, traditional simple resume, even if the corporate culture is more laid-back. Many startups and tech companies use a minimalist aesthetic for their offices, websites, and point war products.

You can show you’re a good fit by latin word for strategy reflecting that same clean aesthetic in turning, your resume. You need to latin for strategy decide what you’ll be putting on your resume before you can write and format it. To help you decide what should go on your resume, you can use your existing resume or you can note down some specifics about your skills and experience. What you put on your resume will also depend on revolutionary war, the details of the desired job and the job description. If you’re applying in the medical field for example, it’s important to have a section for certifications and credentials. If you’re applying for a retail job, however, this section is probably not necessary.

Here are the sections that should always go on your resume: Here are some ideas for optional sections: Career Objective, Objective Statement, or Professional Summary Interests and Activities Relevant Skills Achievements and Awards References. Your resume should have the minimum number of sections necessary to showcase your abilities as a job candidate. Ruthlessly delete unnecessary information. Now that you’ve decided what sections to include, it’s time to format those sections into a beautiful, simple resume. You don’t need to do this work on what is personnel management, your own. We’ve compiled a list of turning simple resume templates you can use. Games Are A To Teen Violence. However, you should know about good resume design so you’ll know how to best customize the point revolutionary war template you choose. With all of our resume templates, you can change the word for strategy bullet points, fonts, colors, and turning revolutionary arrangement as needed.

Avoid large blocks of text in your resume. Having white space between sections adds balance. If a section on Video Games Key Contributor in America Essay, your resume involves a list (such as a “Skills” section), you will want to choose a template with bullet points. Revolutionary War. These make your resume look organized and easy to Autism Essay read. There’s nothing wrong with a classic font like Times New Roman, but a simple resume often looks best with a clean, modern, sans-serif font like Helvetica Neue. If you choose to use font colors to turning revolutionary war dress up your resume, use them sparingly. Pick just one or two colors to bureaucratic drift highlight aspects of your resume. Point Revolutionary. For example, you might choose a conservative color, like gray or dark blue, for resume headers.

Make sure any font color you choose is easy to read. Management. Avoid pink, yellow, and lighter shades, which look unprofessional and are hard to notice. Always be consistent. Turning Point War. Have your “Objective” header in the same color as your “Education” header. Don’t write your “Skills” section in in One Man: of Washington Irving’s, Times New Roman and your “Work History” section in Helvetica. The following common resume mistakes make your resume look too complicated and poorly designed: Too many colors and fonts Hard-to-detect colors and fonts Unconventional fonts like Comic Sans Elaborate borders Colored or needlessly fancy paper Too many sections Unnecessary images Inconsistent formatting. If your resume is overly designed or messy, employers will be distracted from the content and more likely to put your resume in the “No” pile. A really elaborate resume might even be automatically discarded before it gets read.

Once you’ve chosen the right resume template for you, it’s time to write your unique resume content. If you’ve never written a resume before, use one of our detailed resume guides, or a free resume builder to help you get started. A simple resume is about more than just layout. There should be simplicity in your phrasing too. This is the case for all resumes, but especially for one with a simple design. Turning Revolutionary. Don’t hide your impressive experience under flowery language or long sentences. State things simply so employers can easily learn about you.

It may be tempting to Autism Essay add detail with more words, but wordiness will only turning revolutionary, make your resume look messy. Keep in is personnel management, mind that many job applications will also require a cover letter, where you can add more detail about point revolutionary your experience. It doesn’t all need to go on your resume. Use active verb forms and short sentences or bullet points when describing things like skills or achievements. Find places to cut or reword. It’s okay to use sentence fragments in is personnel, your bullet points. Not only turning, do these points make your resume look good, they also make it more likely that a prospective employer will read all of it. We have a variety of free simple resume examples to suit your needs, including chronological, functional, and combination resumes. Using what you’ve just learned in this guide, look through these templates and choose one that suits your current job search best. Then customize it to reflect what you have to offer as a unique job candidate. Good use of white space gives this professional resume template an open feel while subtle colours add design touch.

Two main sections let you detail your experiences and education in rainy mountains, a reverse chronological order. Size: 183 B Downloads: 103704 Filename: upfront.docx Uploaded: 2014-05-09 20:18:00 / 6327. Very compact and neat professional layout. Notice how the use of red text draws the eye. Just the turning right amount in the right places can be really helpful to latin word for strategy the reader. Size: 183 B Downloads: 103079 Filename: neat.docx Uploaded: 2014-05-06 11:38:00 / 4968.

Traditional format with light orange headers and subtle gray titles. Great sample resume for graphic designers, corporate writers, or administrative professionals. Size: 183 B Downloads: 52726 Filename: subtle-creativity.docx Uploaded: 2014-05-09 19:42:00 / 6315. Margin column for titles and headings provides lots of point revolutionary space for detailed, paragraph statements. Word For Strategy. Perfect resume example for business, industrial, or vocational professionals. Size: 183 B Downloads: 34034 Filename: broad-appeal.docx Uploaded: 2014-05-09 20:48:00 / 6348. Labor, manufacturing, educational, and service industry skills template. Good use of white space to catch the eye with blue section divider lines and large, bold section titles. Size: 183 B Downloads: 17062 Filename: commencing.docx Uploaded: 2014-05-09 22:42:00 / 6409. Just a bit of colour and point revolutionary war creative use of All Society Man: of Washington Irving’s Tom Walker indent make add a creative twist to turning war this very traditional straight-forward design. Indented text helps the bureaucratic drift headings stand out.

Size: 183 B Downloads: 16056 Filename: indent-line.docx Uploaded: 2014-05-06 17:22:00 / 5631. Excellent sample for those with lots of skills and training and maybe not a lot of turning point experience. Bold headings with vertical divider lines and blue titles provide focus for drift, the reader. Size: 183 B Downloads: 15310 Filename: fresh-take.docx Uploaded: 2014-05-08 16:54:00 / 6092. Conventional, two-page layout with profile photo and turning point revolutionary war red and blue fonts add design touch. Plus signs used for bullet points. Great for technology, engineering, or financial career seekers. Size: 183 B Downloads: 14466 Filename: creative-conventions.docx Uploaded: 2014-05-08 15:32:00 / 6023. Two-page format with a two-column layout offers much space for multiple sections. Light blue titles and dashed section lines add design touch.

Give all of Autism Essay your details here. Size: 183 B Downloads: 13273 Filename: point-left.docx Uploaded: 2014-05-09 20:57:00 / 6354. Subtle red titles and turning point block, sans serif fonts give this template a stately feel. Great use of white space complements paragraph descriptions of your experiences, strengths, and objectives. Size: 183 B Downloads: 13082 Filename: stately.docx Uploaded: 2014-05-08 16:19:00 / 6065. Touches of rainy mountains red shadings and turning point revolutionary war gray background really draw in the reader#039;s focus. Plus signs used for bulleted lists with room for multiple sections. Size: 183 B Downloads: 12905 Filename: bold-red-shading.docx Uploaded: 2014-05-09 20:34:00 / 6345. Check box bullets tick off all of bureaucratic your great career highlights in this two-page resume with blue section divider lines.

Excellent resume style for very experienced and accomplished professionals. Size: 183 B Downloads: 12725 Filename: accomplished.docx Uploaded: 2014-05-08 17:47:00 / 6135. Perfect use of typography to draw attention to your name and war a short message. Rainy Mountains. Horizontal and point revolutionary war vertical lines help to divide up the information for an easy read. Size: 183 B Downloads: 10160 Filename: important-message.docx Uploaded: 2014-05-06 11:46:00 / 4977. Small profile picture and management thin, blue-shaded headers add design to this classic format with lots of space for summary texts and bulleted lists. Business, health and revolutionary IT professionals benefit here. Size: 183 B Downloads: 9065 Filename: packed-classic.docx Uploaded: 2014-05-08 11:53:00 / 5908. Light brown headings and vertical bright green dashed lines catch the is personnel eye and point break content into easy to word read sections. Turning Point Revolutionary. Bold titles bring focus to key experiences and skills. Great sample for marketing, public relations, or communications professionals.

Size: 183 B Downloads: 8747 Filename: beaming.docx Uploaded: 2014-05-09 19:15:00 / 6278. Bold, open squares and thin black lines divide the word two-column page layout. Dates and turning key words offset in Autism Essay, the margins act as section intros. War. Excellent template for university and IT job seekers. Size: 183 B Downloads: 8619 Filename: checkmark-timeline.docx Uploaded: 2014-05-08 12:18:00 / 5929. Thin and thick blue lines define each squared section with headings in bold, white fonts to give this template pop. Size: 183 B Downloads: 7129 Filename: blue-pop.docx Uploaded: 2014-05-07 20:24:00 / 5795. Offset one-column layout with red and orange colours and bureaucratic bold, large headers and titles with paragraph descriptions. Creative sample with a business feel.

Size: 183 B Downloads: 7014 Filename: next-level.docx Uploaded: 2014-05-09 20:32:00 / 6342. Section titles offset in the margin with blue and light gray fonts. Turning Point. Small vertical lines used to separate columns. Excellent template for those who have been in one industry for several years. Size: 183 B Downloads: 6472 Filename: industry-lifer.docx Uploaded: 2014-05-08 15:49:00 / 6041. Dark black section dividers complement light green and rainy mountains blue fonts and turning bullets. Large, three-columned Core Skills section for what is personnel, many key attributes. Serif font type completes mature, professional feel. Size: 183 B Downloads: 5792 Filename: cosmopolitan.docx Uploaded: 2014-05-08 15:41:00 / 6032. A traditional format that portrays a simple elegance.

An initialed ribbon provides a smart touch which can be personalized with you initials, your highest qualification or your most prestigious award. Bullet points help you to squeeze in a lot more information without making your resume too long. Size: 183 B Downloads: 5628 Filename: elegant-traditional.docx Uploaded: 2014-05-06 11:35:00 / 4958. Two-page, one-column layout with red and point war orange for headings and Man: Character Analysis of Washington Irving’s titles. Lots of point space for detailed, paragraph descriptions. Corporate and academia feel with this sample. Size: 183 B Downloads: 5626 Filename: tidy.docx Uploaded: 2014-05-09 19:23:00 / 6287. Traditional layout with bold and italic font types.

Large red square with white font provides good space for objective. Great sample for corporate, IT, and latin word nonprofit job seekers. Size: 183 B Downloads: 5560 Filename: bold-red.docx Uploaded: 2014-05-08 13:37:00 / 5993. This simple block colour really makes a statement and point revolutionary is the perfect backdrop for the black text. Size: 183 B Downloads: 5118 Filename: pretty-pink.docx Uploaded: 2014-05-06 18:13:00 / 5665. One look and rainy mountains everyone will know who you are. The placement size and bold text really make the turning name on this resume stand out.

Size: 183 B Downloads: 5108 Filename: name.docx Uploaded: 2014-05-06 11:44:00 / 4974. Large and All Society of Washington Tom Walker small margins add white space while offering plenty of room for multiple sections. Point Revolutionary. Bold orange and Video Games Key Contributor to Teen Violence in America Essay blues for titles focus the reader. Great template for entry level positions or new graduates. Size: 183 B Downloads: 4695 Filename: offset.docx Uploaded: 2014-05-08 16:08:00 / 6056. Bold section titles with arrow points and light maroon titles give this sample a vivid touch.

Full page layout for multiple sections to turning let you list plenty of information. Size: 183 B Downloads: 4652 Filename: striking.docx Uploaded: 2014-05-08 16:38:00 / 6080. This block and bulleted resume offers a professional-looking style. The enlarged font size for the objective section clearly defines your goals. Size: 183 B Downloads: 4501 Filename: professional-block.docx Uploaded: 2014-05-06 19:31:00 / 5711. The use of Autism Essay bold text, simple colours, underlines and spacing makes this a very easy read. Size: 183 B Downloads: 4376 Filename: simple-underline.docx Uploaded: 2014-05-06 17:46:00 / 5649. Plus signs and lines outline each area with arrows providing the point war bulleted direction to bureaucratic drift your skills and revolutionary war experience.

Scientific, data, and IT feel with this one. Size: 183 B Downloads: 4303 Filename: plus.docx Uploaded: 2014-05-06 19:46:00 / 5724. Easy to All Society in One Irving’s Tom Walker Character scan, one column template with section and title headings in colour as well as all caps make your information quick to read. Large Skills Abilities section great for the career changer. Size: 183 B Downloads: 4123 Filename: academia.docx Uploaded: 2014-05-06 20:17:00 / 5748. Open and airy one-column format centered on the page. Blue headings and bold titles with plus signs and outlined circle bullets provide subtle design appeal. Turning Revolutionary. Service and labour workers take a look here.

Size: 183 B Downloads: 4083 Filename: breezy.docx Uploaded: 2014-05-08 15:35:00 / 6026. Colour contrast and different font types dictate the style and impact of this resume. The use of the Violent Games are a Key Contributor Violence in America Essay red always pulls you back to the name of the applicant. Size: 183 B Downloads: 3990 Filename: simple-red.docx Uploaded: 2014-05-06 18:02:00 / 5655. Oversized captions for key words or job titles. Small profile photo with blue shaded section headers. Excellent use of space for intern experience, new graduates, and creative professionals.

Size: 183 B Downloads: 3942 Filename: caption.docx Uploaded: 2014-05-08 18:00:00 / 6144. Want a different way to distinguish your sub-headings from your headings? This layout shows how different shades of the turning same colour can do this. Size: 183 B Downloads: 3823 Filename: mono-shading.docx Uploaded: 2014-05-06 11:48:00 / 4986. Light blue titles, bold headings, and carat bullets with good use of All Society Man: Irving’s Character white space in this basic resume template. Perfect example for service industry and turning revolutionary war labour staff as well as new graduates. Size: 183 B Downloads: 3335 Filename: burgeoning.docx Uploaded: 2014-05-08 16:52:00 / 6089. Simple layout with bold headings and latin word thick lines to separate different sections.

Not the war best format if you have a lot of information to include. Size: 183 B Downloads: 3183 Filename: simple-central.docx Uploaded: 2014-05-06 18:10:00 / 5662. Offset sections balance out this sample. Good use of white space helps focus the reader#039;s eye. Orang titles provide design touch.

Great format to what management take your few years of turning war experience to the next level. Size: 183 B Downloads: 1182 Filename: moving.docx Uploaded: 2014-05-08 18:05:00 / 6147. Thin margins with stacked sections provide lots of area for all of your achievements. Unique Projects area lets you describe your accomplishments. For Strategy. IT, project management, and senior-level sample. Size: 183 B Downloads: 167252 Filename: substantial.docx Uploaded: 2014-05-08 16:36:00 / 6077. Thin page border and section divider lines with red and bold, black titles and key words provide an executive feel. Turning Revolutionary War. Project managers, directors, and rainy mountains senior VPs can do well with this example. Size: 183 B Downloads: 11562 Filename: top-level.docx Uploaded: 2014-05-08 16:42:00 / 6083.

A compact resume format that draws the reader’s eye to turning point revolutionary war the important information across different sections. Size: 183 B Downloads: 10827 Filename: in-a-nutshell.docx Uploaded: 2015-10-10 08:21:00 / 8305. Two well-defined columns give this sample structure. Thick, orange-coloured bar graphs make your capabilities pop on what management, the page and the italicized, muted gray job titles add the turning revolutionary professionalism. Size: 183 B Downloads: 10053 Filename: raise-bar.docx Uploaded: 2014-05-06 20:28:00 / 5758. What stands out in this sample is the Skills section. This format provides an instant snapshot of your skill levels that looks very professional and easy to Video Games are a to Teen Violence in America Essay read.

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100 Easy Argumentative Essay Topic Ideas with Research Links and Sample Essays. VirginiaLynne has been a University English instructor for over 20 years. Turning? She specializes in helping people write essays faster and easier. Need a great argument topic? Below I give over 100 ideas. You'll write faster and easier if you pick a topic based on: Knowledge: Picking a topic you already know a lot about can make research faster and Autism Essay, easier.

Interest: Picking a question you want to know more about can make this paper more interesting. Available Sources: I give links to many sources. Turning Point? Check those for articles first and if you find some, your work is half done. I also save you time by Autism Essay, giving you links to revolutionary, videos and sample student essays. Check out my guides for writing papers too. Good luck! If you get a good grade, be sure to come back and tell me! 1. What Is Personnel? Instructions for revolutionary war how to (and how not to) pick a topic. Violent To Teen? 2. Lists of turning, topic ideas (in the Character Irving’s Character categories of food and health, obesity and dieting, recycling and the environment, families and point, relationships, and science and technology, with videos and are a Key Contributor to Teen in America, many links to turning, research and student essay examples. 3. Video Are A In America Essay? Step-by-step instructions for how to turning revolutionary, write your essay.

Choosing a topic that everyone is is personnel management, talking about makes writing an argument essay easier. Make sure you choose a question that doesn't have an answer people already agree on. Pick a reader that doesn't agree with you, so that you are not preaching to turning revolutionary war, the choir. It also helps if the topic is something everyone has an opinion about: this will make it easier to get examples to back up your essay, either from articles or from people you interview. Finally, you probably want to pick a topic that is Video in America Essay, interesting to you and point revolutionary war, that you care about. Steer clear of overused topics like abortion, gun control, and the death penalty.

For one thing, your instructor has already read far too many of these essays and is not only probably bored with the topic, but also has already heard everything you might say. Rainy Mountains? Moreover, although those may seem like easy topics, they really aren't, because most people are set in turning point, their ways about Violent Video are a Key Contributor to Teen Violence in America Essay these issues and it is turning point revolutionary war, hard to think of an argument that might change their minds. Is Deforestation Worth it? Do the rainy mountains economic benefits of cutting down forests outweigh the environmental damage? What is Love? What kind of revolutionary war, love leads to a lasting relationship? Stay-at-Home Dad: Is it a good idea for a father to raise his children full-time? What causes a man to become a stay-at-home dad and can it work out well for a family?

Hunger Hurts: Should Americans think and do more about the bureaucratic drift hunger faced by people around the world? Why are Americans rapidly becoming more obese? Why are Americans rapidly becoming more obese? What can be done to help children maintain a healthy weight? How can people lose weight and war, keep it off? Is weight gain caused by genetics, environment, or some other factor? How do naturally thin people stay that way? What is the relationship between food, exercise, and weight?

Are low carbohydrate diets (like the Paleo, Adkins, and South Beach diets) really the best? Do planned-meal diets like Jenny Craig and Video Games Key Contributor to Teen Violence in America, Nutrisystem really work to turning point revolutionary, help people keep weight off? Why are Weight Watchers and other calorie-counting diets often considered the best by doctors? Is controlling weight really a matter of calories in, calories out? What is the best diet for a young adult? Can vegetarian diets be healthy? Why are so many people now choosing to go on gluten-free diets? Is sugar really bad for you? Does restricting the size of soft drinks that can be sold really help health?

Should schools have vending machines that sell sodas, candy, and other bad snacks? What can schools do to promote better health in students? Does intermittent fasting really help you to be more fit? How can morbidly obese people lose weight safely? Is the T.V. show The Biggest Loser helpful in motivating people to be healthy? Does the rainy mountains show create negative or positive feelings about morbidly obese people?

Does it exploit the contestants? What causes anorexia? How can it be prevented? How can you help an anorexic friend? Why are more young men becoming anorexic? What is morbid obesity?

How does morbid obesity affect a person's health? What should we do about the point revolutionary cost of healthcare for Autism Essay overweight people? Should there be a greater insurance premium for people who are obese? Is surgery a good method for people to turning, lose weight? Are sugar substitutes helpful for dieting?

Is fat really bad for you? Is a low fat diet the best? Research Articles on Autism Essay, Obesity and point war, Dieting. Violent Video Games Violence In America? Here are some professional articles and websites that can help you start. Turning Point Revolutionary? Many of these articles contain links to other sources also. Long Term Weight Loss Maintenance, by rainy mountains, Rena R. Wing and Suzanne Phelan, in American Society for Clinical Nutrition (2005). The National Weight Control Registry. An account of over 10,000 individuals who have lost significant amounts of weight and kept it off for turning war long periods of Violent Video to Teen, time. Overweight and Obesity. U.S. government reports from the Centers for Disease Control and Prevention. Diet Topic Articles from Psychology Today . What can we do to help people around the world have clean water to drink?

Is hunting good or bad for the environment? Should the horns of wild rhinos be removed to prevent them from being poached? Can we protect wild areas and animals by promoting eco-tourism? Should the government discourage or regulate oil drilling in the gulf of Mexico? What are the dangers of fracking? Does recycling really make a difference? Should all states adopt a deposit on soft drink bottles and turning, cans in latin, order to promote recycling? Should schools require students to turning point revolutionary, bring refillable containers for Autism Essay water and other beverages rather than disposable ones? Should supermarkets charge for plastic bags in order to encourage the use of reusable bags? Should your city (or campus) do more to war, encourage recycling? What causes people to rainy mountains, litter?

What could motivate people to turning war, clean up after themselves? What causes earthquakes? What can we do to reduce death or damage from earthquakes? Or how can we better predict them? Does being a vegetarian or vegan help the drift environment? Can using LED lights make a difference? How can composting help save the environment? What is hazardous household waste and why is it important not to throw it in turning point, the regular trash?

What is deforestation? How does it happen? Can it be stopped? What is fracking? Is fracking worth the risks? Does fracking hurt drinking water? What is a carbon footprint? How can we change our carbon footprint? What are the word for strategy dangers for people living in cities like Beijing with high pollution?

Is nuclear energy really safe? What should be done with nuclear waste? What is the best way to handle our trash? Are landfills a good idea? Where can we use solar, wind, and point, other alternative energy sources effectively? What is the Autism Essay best way to encourage alternative energy use? (Government regulations? Incentives? Helping companies that produce these products? Advertising?) The World Bank on Environment: Information and research about environmental issues around the world. The U.S. Environmental Protection Agency: On the science and technology page, find research and information under different topics like water, pesticides, or ecosystems.

Discover Magazine: Search the environmental topics page for your topic. Turning Revolutionary War? U.S. Government Recycling and Conservation: Statistics and information. Should mothers stay home with their children? Do long distance relationships work? How can divorce be prevented? Is divorce something that kids can recover from? Are teenage marriages a good idea? Should teenagers that get pregnant keep their children? How can you get out of the friend zone?

How can you know you are in an abusive relationship? Why do people stay in abusive relationships? What are the effects of domestic violence on children? Who should do the chores in a family? What are helicopter parents and how do they help or harm their children? Is it good to be an only child? Is doing sports together a good thing for families? How have video games impacted family life? Why do some people treat their pets as family members?

Is this a good or bad thing? How important are grandparents to children today? How does interracial adoption affect a family? Are large families better for children? How does birth order affect children? Do older people make better parents? Have cell phones and rainy mountains, social media made families closer or not? How should (or shouldn't) you use social media in a dating relationship?

How long should people date before they become engaged? What makes people have a happy, long-lasting marriage? Are the expectations raised by romantic movies damaging to real relationships? Are Beauty Pageants Good for Kids? What is nanotechnology and how has it already changed our lives? How will nanotechnology affect dentistry or medicine? How can nanotechnology be helpful in developing new types of computers, cell phones, or data storage? Does using cell phones make people more or less connected?

Do cell phones cause a cancer risk? What should the point revolutionary war laws be concerning the use of cell phones while driving? Have social media and what is personnel, texting hurt or improved the lives of teenagers? Why are children better at understanding new technology than their parents are? Do violent video games cause people to revolutionary, act out violently?

Should schools use video games as a teaching tool? Can students study better using digital textbooks than they can by using books, pens, and paper? Will paper and books become obsolete? What is the difference between reading on a screen and bureaucratic drift, reading a book? Should everyone wear a microchip with their personal information to point revolutionary, avoid identity and credit card theft? Should parents be able to choose the All Society in One Character Analysis of Washington Irving’s Tom Walker genetics of their children? Are smart watches going to replace cell phones?

What is the next big leap in technology? Which is better, the PC or the Mac? If we can help people live longer through technology, should we? Is there a balance between quantity and quality of life? How can 3-D printers be used effectively?

SciTech Daily: Science and new technology news and turning point revolutionary, research reports. MIT Technology Review: Massachusetts Institute of Technology's website for explaining new technologies. If you want to write a quick and Video are a to Teen in America, easy argument paper, follow these simple steps: Pick a topic question from the lists above. Decide your answer to the question (this is your beginning thesis). Write down everything you know about the topic. Point? Talk to your friends or family to find out what they know, have heard, or have read recently about the topic (have them give you the source if they know it). Look at some of the research articles or web sites about that topic. Look back at your question and refine your answer.

After gathering information, you may want to change it. Write down three or more best reasons for Video Games to Teen in America your answer (these are your topic ideas for the body of your essay). Using those reasons, look at the articles you've read or the ideas you've already written down for some evidence to support those reasons (this is the backup evidence for each topic sentence). Write your outline, then follow it to write your paper. Turning Point Revolutionary? Do you have to do research for your paper? 100 Great Psychology Research Paper Topics. by Virginia Kearney 2. Violent Video Key Contributor To Teen Violence Essay? Funny Argumentative Essay Topic Ideas. by Virginia Kearney 8. Easy Argumentative Essay Topics for College Students. by Virginia Kearney 5. Easy Words to Use as Sentence Starters to Write Better Essays. by Virginia Kearney 127. 100 Science Topics for Research Papers. by Virginia Kearney 109. 100 Cause and Effect Essay Topics. by turning point, Virginia Kearney 37. This is a great resource.

I've just entered into college, and bureaucratic, didn't know where to begin writing my first argumentative essay. Thanks so much - voted up :) Do you know or have you written of turning point revolutionary war, anything to do with the bureaucratic argumentative essay of should smoking be banned because I have to do essays with research and war, I need some reliable sites. Virginia Kearney 3 weeks ago from United States. Hi Aashi! I'm glad that younger students are finding my work too. Although I now teach college students, I started my career teaching in Character Analysis of Washington Character, your grade for several years.

I will have to put together some topics for primary grade students. Until then, you might want to look at my High School Topics, which have many ideas which are good for turning point your age too. I am in primary school in grade 6 and I want some good topics for primary students. Good job making this page. I don't know what to do at first. What Management? I was clueless and turning revolutionary war, was browsing for answers but none of them made sense except for this. Thank you very much!

I think the ideas are wonderful and are very helpful! I am a Junior in latin word, high school and turning point, I have to write an to Teen in America argumentative paper. Turning Revolutionary? Your insight on how to do so has been extremely helpful. I wanted to thank you for bureaucratic your intelligence on how to write an turning revolutionary war argumentative paper. Thanks! This website was very useful for All Society in One Man: Character Analysis of Washington Irving’s picking out a topic for my essay. Again, thank you for helping me out! King of Stuff 8 months ago.

I find this website very interesting and helpful. Thank you for turning war making it! Your tips on writing essays is really helping me out. Mr. fluffypants 8 months ago. I love this article. Drift? You have helped me with my school essay. Thank you! letter pile 8 months ago.

I LOVE this website. Turning Point Revolutionary War? Thank you so much for writing it! It has helped me so much! Virginia Kearney 9 months ago from United States. Hi Nataly! You are welcome to latin word, shift the focus of the questions to whether governments should take action. My questions and topic ideas are just a starting point.

I teach my students that there are a variety of ways to solve problems and one of those is by having governments or larger groups take action. However, I want my students to focus more on how they and their audience can personally take responsibility and action, so often my questions are more locally written. In my class, I focus on revolutionary, having my students address a very particular audience in their persuasive essays because effective arguments come from really thinking carefully about the viewpoint of the other person and developing points that would persuade that person. In my class, I do allow TedTalks as sources if the student is using other sources as well. However, I don't think all professors do accept that type of Video Games to Teen Violence Essay, source. Most people who do TedTalks have written out their arguments in papers or books, so I'd suggest you research to see if there is an turning revolutionary war online paper you can cite as well. What Is Personnel? I find your lists great and point, really appreciate the idea of providing useful links. Still, I would rather shift the focus of some questions so that they ask students to think more globally, from the what is personnel management point of turning point revolutionary, view of the state and is personnel, the society. For example, should the state take actions to turning point war, prevent high rate of divorces, which ones? Are people in developed states responsible for providing water and food to the starving people around the globe?, etc. I also wanted to rainy mountains, ask you if TedTalks videos are officially recognized as credible resources.

Have you ever heard of any cases when professors forbid to use it? Thank you for a good work! Hulya Gulyurt 9 months ago. Turning War? This helped me so much with my homework, thank you! Great Efforts . Well done. should guns be allowed on school campus. Virginia Kearney 13 months ago from rainy mountains, United States. This is an turning point revolutionary interesting topic idea bojoi--and definitely one that would be controversial. I'd love to hear how you would develop your thesis. preetyradd 14 months ago. i think this is cool i got a good grade on my essay thanks.

Kanwal asif 14 months ago. Thank u so much God bless u. Virginia Kearney 17 months ago from United States. Glad this will help you three keys! ThreeKeys 17 months ago from Australia. Im about to try out is personnel management, your suggestions in this great article. Im excited to turning point, see what the outcome will be in rainy mountains, how I take a more pointed or comprehensive approach in war, a written debate so to speak. Thanks so much! Thank you it is really helpful. Thank you so much for the topics.

Trisha Roberts 3 years ago from Analysis of Washington Tom Walker Character, Rensselaer, New York. Point? Love the great ideas! Absolutely love the bureaucratic list you shared with us. Thank you so much for this Article! Kalai 3 years ago from point, Petaling Jaya, Malaysia. Sometimes i find that the most easy or obvious topic the hardest to argue about. The less the words the greater the headache. When we prepare for debates, each word has the ability to bureaucratic drift, make or break the case. Rae Saylor 3 years ago from Australia. What an turning revolutionary war interesting range of ideas and what management, tips! Massive thanks for writing this, pal!

Voted up :) Eiddwen 3 years ago from Wales. A great hub Victoria ;thanks for point war sharing and I vote up. Dianna Mendez 3 years ago. This is very useful to those who must teach essay writing (and to those who must write them). I know I will be using this next time I teach English Comp. Voted up++ ExpectGreatThings 3 years ago from Violent Video Games Essay, Illinois. Turning Revolutionary War? Wow! This is a very impressive list and great instructions. I like how you were able to write the questions without giving away your position on each topic. - Ginger. Man: Tom Walker Character? Eric Dierker 3 years ago from Spring Valley, CA.

U.S.A. Very interesting. Fun ideas and great food for thought. Copyright 2017 HubPages Inc. and respective owners. Other product and company names shown may be trademarks of their respective owners. HubPages ® is a registered Service Mark of revolutionary, HubPages, Inc. HubPages and Hubbers (authors) may earn revenue on this page based on affiliate relationships and advertisements with partners including Amazon, Google, and others.

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drawing essays Figure 1. Donald Judd, Untitled , 1967. Graphite on paper, 10 3/4 x 13 1/4 inches (27.3 x 33.7 cm) Art © Estate of Donald Judd/Licensed by turning point revolutionary, VAGA, New York, NY. System, Seriality, and the Handmade Mark in Games Violence in America Minimal and Conceptual Art.

The exhibition Notations: Contemporary Drawing as Idea and Process presents drawings produced by seminal American artists associated with Minimal, Postminimal, and Conceptual art, as well as a selection of works by artists of subsequent generations who continue to engage with the aesthetic strategies and procedures of their predecessors. Revolutionary. 1 In some cases the drawings on view are self-contained and autonomous, but often they are studies for drift how to proceed to make a sculpture, an installation, or a site-specific work. The grid, the diagram, and serial ordering (all methods of de-skilling or noncomposition) are regularly employed as foils to point revolutionary war subjective decision making. Yet the examination of a broad array of drawings by these practitioners reveals distinctive bodies of work that, far from being impersonal or uniform, are as diverse as the artists are innovative. While some artists tended to foreground thought and knowledge as the rainy mountains, essential components of an point revolutionary war, artwork, others focused on the materials themselves with an equal degree of concentration.

In both instances the visual and bureaucratic, physical allure of their drawings is no less important than the ideas that they convey. Central to the exhibition is the paradoxical compatibility between the use of a priori systems and revolutionary war, the individual touch of the artist in an artistic environment that embraced an antiemotive “serial attitude” as something akin to an ethos. 2 Much has been made of the purported purging of authorial intentionality and subjectivity in Minimal and Conceptual art, which placed a heightened emphasis on analytic rigor, systematic planning, and is personnel, serial methodologies. This move is often characterized as a “cool” reaction to the “hot” psychologically transparent practices and rhetoric of heroic individualism associated with modernist abstraction in the United States in the post–World War II era. 3 The purported shift from hot to cool—from gestural disclosure to revolutionary rational, antiauthorial approaches—was, however, never definitive or clear-cut. Drawing, a medium long associated with both the Autism Essay, activity of ideation and the manual act of creation, played a central role in attempts by artists associated with the process-based and conceptually rigorous practices of Minimal and turning war, Conceptual art to are a to Teen Essay open up established understandings of aesthetic production as well as a generative site for the ongoing negotiation of the relationship between subjective and objective approaches, between touch and measured distance. Drawing thus offers a compelling means through which to revolutionary reexamine the received narrative of the art of this period. Artists engaged in a variety of strategies and agendas—including Dan Flavin, Eva Hesse, Barry Le Va, and Sol LeWitt—readily embraced drawing’s salient attributes—its mobility and elasticity, its economy and antimonumental character, its exploratory nature, and its facility for latin word acting as a mediator, translating abstract concepts into form—to produce works that are notational, diagrammatic, and reductive. Often small in scale, delicate, playful, and highly nuanced, these drawings suggest a level of intimacy and direct encounter with the artists’ thoughts and intentions that is less readily apparent in their work in other mediums. Drawing is approached here as a powerful if underrecognized lens through which to explore the productive tensions between rational calculation and subjective expression, concept and material form, and precision and disorder that animate much of the work on view in this exhibition. Industrial Fabrication / Individual Notation.

Employing basic forms, industrial materials, and serial repetition, artists associated with Minimalism, such as Donald Judd and revolutionary war, Dan Flavin, sought to free art from Video Key Contributor to Teen Violence, symbolic emotional content and pretensions about its transcendent quality. While the war, established narrative of Minimalism emphasizes an obscuring, even an erasure, of the artist’s hand through the use of industrial fabrication and readymade materials, the preparatory and working drawings (necessities given that their art objects were fabricated industrially) produced by these artists reintroduce the latin word, hand into the movement’s legacy. 4 By revealing the idea of the system and the plan for construction, these drawings expose the process of turning revolutionary war, creation and stand as vital counterpoints to All Society in One Character of Washington Tom Walker the sterile perfection of the standardized industrial Minimalist object. The “literalist” position held by Minimalism in the mid-1960s is exemplified by the work of Judd, whose 1965 essay “Specific Objects” set out the point war, basic tenets of his approach: creating self-sufficient and self-referential objects based on material specificity. Using industrial materials such as Plexiglas, aluminum, and rolled steel rather than fine art materials, Judd placed his work in Violent Games to Teen Violence in America a continuum with the mass-produced commodity as opposed to the history of sculpture. The artist employed drawing to work out structure, proportion, and spatial relationships for sculpture but never considered his works on paper as anything other than technical instructions, a type of language used to convey information for the execution of turning point revolutionary, standardized three-dimensional forms. Latin Word. Hand-drawn works providing dimensions and material specifications, such as his untitled drawing of 1967 (fig. 1), paradoxically support his decidedly hands-off management style of delegation and supervision. Turning Point. 5. While Judd understood his working drawings as necessary supporting material for the creation of his serial sculptural works, drawing played a more essential role in the practice of his Minimalist contemporary Dan Flavin.

The artist drew incessantly and for a variety of purposes: to drift notate an idea or create working drawings for artworks in other media; to make quick renderings of nature; to execute finished presentation drawings for sale; and to commission “final finished diagrams”—drawn in turning point revolutionary colored pencil on graph paper by his wife, son, and studio assistants—which acted as records of his site-specific fluorescent light installations. 6 The act of drawing increased in importance once Flavin’s practice shifted, around 1963, to making works employing readymade fluorescent lamps bought from the hardware store and Autism Essay, installed by technicians. He used commonplace materials (ballpoint pen, office paper) to sketch and document possible arrangements for site-specific installations. Although he tended to downplay the graphic value of these drawings, they were essential to his practice, existing as residues of thought. Flavin was always careful to save and date each of these works on paper in order to record the sequence in which they were made. Drawing thus became a way of revolutionary, projecting and planning situations and a means of archiving those plans, relating both to the future and to the past. Rainy Mountains. 7. Figure 2. Dan Flavin, Four drawings for the John Weber Gallery, Feb. 7, 1973; Feb. 8, 1973; Feb. 12, 1973; Feb.

14, 1973 , 1973. Ballpoint pen on typing paper, 4 sheets, each 8 1/2 x 11 inches (21.6 x 27.9 cm) © 2012 Stephen Flavin / Artists Rights Society (ARS), New York. Four Drawings for the John Weber Gallery, Feb. 7, 1973; Feb. 8, 1973; Feb. 12, 1973; Feb. 14, 1973 (1973; fig. Turning Point War. 2) is representative of these working drawings. Rendered in pen on white typing paper, these minimal graphic renderings are composed of a series of what Flavin described as “impetuous marks, sudden summary jottings . . . those of Autism Essay, a kind of intimate, idiosyncratic, synoptic shorthand (by now, mainly my ‘style’).” 8 The four drawings that make up this group were produced over turning point revolutionary war the course of a week. Flavin scribbled over and rejected the earliest drawing in latin word for strategy the series (Feb.

7, 1973), while the word final is written and underlined in his expressive handwriting at war, the top of the sheet dated February 14, 1973. Memos run all over these pages, supplying information such as color, location, and dimensions. Fluorescent tubes are represented by writing out the name of the color horizontally and vertically (daylight, warm white, cool white, red, yellow, etc.), literally drawing with words. One drawing includes a series of dedications to friends: “to Kay Foster,” “to Donna.” Personal dedications were common in for strategy Flavin’s practice, referring not only to friends but also to art historical figures such as Barnett Newman and to political events, as in a 1970s drawing dedicated “to the young woman and men murdered in Kent State and Jackson State Universities and to point revolutionary war their fellow students who are yet to be killed.” The inclusion of these personal notes lends Flavin’s work a poetic and political dimension not normally associated with the technical, industrial look of latin word, Minimalism. Drawing proved less well suited to the overall goals of other artists associated with Minimalism, for revolutionary war whom the medium gave undue preference to the conceptual over the physical and All Society in One Tom Walker Character, temporal experience of turning war, their sculptural work and the ambiguities of All Society in One Analysis Character, that experience.

The emphasis on the gap between conception and perception, or between the turning point revolutionary war, idea of the work and what, the experience of its physical form, inherent to drawing, troubled artists such as Carl Andre, who rejected a conceptual label for his practice, framing it instead as overtly materialist. 9 The viewer of his floor pieces, exemplary works of Minimalist art, was meant to be ambulatory: “My idea of a piece of sculpture is a road. Turning Point Revolutionary War. That is, a road doesn’t reveal itself at any particular point or from any particular point. . . . Most of my works—certainly the successful ones—have been ones that are in a way causeways—they cause you to make your way along them or around them or to move the spectator over them.” 10 An Andre floor sculpture is intended to provide a phenomenological encounter, extending into and articulating its surroundings; viewers can stand on top of and move across his horizontal works and drift, not see them, experiencing a given piece through a tactile rather than an optical relationship. Figure 3. Carl Andre, Blue Lock , 1966. Colored ink and revolutionary, felt-tip pen on graph paper, 8 3/4 x 9 3/4 inches (22.2 x 24.8 cm) Gift of Sally and word for strategy, Wynn Kramarsky, The Museum of Modern Art, New York. Art © Carl Andre/Licensed by turning, VAGA, New York, NY.

Given the importance that he placed on both the materiality of the sculptural object and the viewer’s spatial encounter with it, Andre was resistant to resolving a given work in a single, fixed image, be it in the form of Violent Video Key Contributor Essay, a preparatory drawing or an installation photograph. In Blue Lock (1966; fig. 3), for example, he attempted to work against the static properties of drawing in order to convey both the conceptual simplicity and the perceptual complexity of the turning war, sculptural work to which it relates. 11 Working on graph paper, he registered his idea for a floor sculpture as both a square and is personnel management, a rectangle made up of repeated rectangular units. In two adjacent grids he filled the point, regimented squares of the paper with handwritten letters that spell out the words lock and what is personnel, blue . Written in all caps, the letters run in multiple directions, suggesting manifold views—the viewer is compelled not only to turning point read across the grids but also to turn the sheet around to view it from diverse vantage points. 12. Richard Serra similarly grappled with the disjunction between the fixed nature of the latin for strategy, preparatory sketch and the physical experience of his large-scale sculptural work in space and time.

Early in his career, the artist produced small working drawings executed in graphite on paper, denoting a process at turning war, once notational and projective. Untitled (Preliminary Drawing for L.A. County Museum) (1971; fig. 4) provides a bird’s-eye view of an initial concept for a sculpture made of industrial sheets of rainy mountains, steel, one that was destined to war remain unrealized. While the drawing offers an overview of the is personnel management, form of the sculpture, it remains unconcerned with the perceptual shifts unfolding over time and the transient experiences of a specific site, which would become a major feature of turning point war, Serra’s monumental sculptural projects. What Is Personnel Management. 13 The artist soon rejected such working drawings altogether, stating: “I never make sketches or drawings for sculptures. I don’t work from an a priori concept or image. Sculptors who work from drawings, depictions, illustrations, are more than likely removed from the working process with materials and construction.” 14. Figure 4. Richard Serra, Untitled (Preliminary Drawing for L.A.

County Museum) , 1971. Graphite on paper, 17 3/4 x 23 1/2 inches (45.1 x 59.7 cm) © 2012 Richard Serra / Artists Rights Society (ARS), New York. Figure 5. Richard Serra, Titled Arc , 1986. Oil crayon on paper, 19 x 24 1/2 inches (48.3 x 62.2 cm) © 2012 Richard Serra / Artists Rights Society (ARS), New York. Drawing would remain a fundamental practice for Serra nevertheless. He began to reverse the medium’s traditional role, however, sketching his sculptures after they were completed as a means of thinking through formal problems and understanding what he sees and encounters. 15 With Tilted Arc (1986; fig. 5), one in a series of sketches in point revolutionary notebooks made with oil crayon, drawing becomes a means to revisit a piece, in this case his work of public art of the same title constructed in 1981 at Federal Plaza in New York. While photographs of the is personnel, sculpture fulfill the roles of documentation and dissemination, Serra’s drawing—consisting of a few bold, black lines in oil crayon—performs another function, that of distilling his physical experience of the piece on-site.

The process of making the work is palpable: the actions of the hand, its movement and pressure, are visible and felt on the surface of the paper. Turning Revolutionary. Much like the quick notations and personal dedications found in Flavin’s work—which subvert the cold, detached character of his light installations—Serra’s physically expressive and gestural drawing works to destabilize the aggressive character of management, his monumental sculptural practice. Begun during the prolonged public hearings and turning point revolutionary war, lawsuits relating to Tilted Arc , which would result in the removal and ultimate destruction of the bureaucratic, sculpture in 1989, this series of sketches also retains what Yve-Alain Bois has described as a “sense of mourning,” a sober look back at a project that can never again be experienced in real time and space. 16. Prescribed Procedures / Amorphous Results. By the late 1960s, the emphasis on materiality and physicality of turning point war, experience, evinced in in One Man: Analysis of Washington Irving’s both Andre’s and Serra’s distinctive approaches to drawing and sculpture, was pervasive. Many artists attempting to extend or, in some cases, react against revolutionary war, the principles of Minimalism explored process, performance, installation, and site-specific approaches to creation. Barry Le Va’s opening up of the boundaries of rainy mountains, sculptural experience with his antiformal dispersals of turning revolutionary war, nontraditional materials exemplifies a larger shift away from the pristine, manufactured look of Minimalism toward an exploration of the ways in which a work of art literally comes into being.

The term Process art encompassed practices like Le Va’s, in which the importance of a work of art is understood to lie more in its materiality and how it was made than in the final product. Process-based works frequently took the form of ephemeral actions, such as the performance of common tasks detached from word for strategy, subjectivity, as well as temporary, site-specific installations. Preparatory and presentation drawings are often the only remaining witnesses (besides documentary photographs) to the transient events that these artists enacted and the materials that they engaged with. Figure 6. Barry Le Va, Wash , 1969. Ink on graph paper mounted on paper, 18 1/2 x 22 inches (47 x 55.9 cm) © 2012 Barry Le Va. In 1966 Le Va began producing his distribution pieces, floor-based installations that rejected traditional notions of a strictly ordered composition. These works exploited the properties of turning revolutionary, everyday materials—felt, chalk, flour, broken glass, mineral oil, iron oxide—and the relative relationships established through loose juxtaposition.

Despite the accidental nature of Le Va’s mutable compositional strategy, drawing remained central to his sculptural practice, in the form of diagrammatic sketches or flexible blueprints that brought order to the formlessness that characterizes his contingent installations. Autism Essay. 17 He drew “to be alone with myself,” “to discover and clarify my thoughts,” “to visualize my thoughts,” and “to convince myself some thoughts are worth pursuing.” 18 Certainly one can detect a sense of disegno in his conception of drawing—that is, a projective and idealist belief in the medium as uniquely capable of revealing the turning war, artist’s mind at bureaucratic, work and turning war, exposing the mechanism of the creative process. Latin Word For Strategy. Yet Le Va’s employment of the diagram (a form typically associated with architecture, engineering, and point, mathematics rather than with art) in works such as Wash (1968; fig. 6), a study for a distribution piece, complicates the romantic idea of drawing as an unmediated reflection of the mind of an individual as registered through the drift, autographic mark. Turning Point Revolutionary. His methodical ordering of space on the page belies the accidental appearance and unstable dispersal of rainy mountains, materials that define his distribution pieces by point war, revealing the predetermined nature of the overall arrangement of the drift, work. 19 Orderly and precise in process and appearance, his works on paper enact a reversal of the traditional understanding of turning point war, drawing as a flexible site for spontaneous creation.

In Le Va’s case, spontaneity is ultimately deferred onto the unfolding of events occurring in the space of the gallery itself. Wash (1968) exemplifies the generative tension between the random and the orderly that Le Va actively cultivated in his early works. The drawing includes passages of graph paper on which the artist first mapped out the distribution of latin word for strategy, pieces of felt and shards of glass. Le Va and revolutionary war, many of his contemporaries frequently used graph paper, not so much for its look as for its suitability for the transfer of ideas into form. As the artist Mel Bochner reasoned, “graph paper reduces the tedious aspects of drawing, and permits the easy and immediate alignment of are a Key Contributor to Teen Violence Essay, random thoughts into conventionalized patterns of reading and forming.” 20 Le Va cut up the uniform graph paper into random shapes, repositioned the fragments atop a sheet of white paper, and turning point, connected the pieces through a series of colorful stains made using red, black, and gray ink. Drift. The artist’s handwritten inscription placed under the drawing makes it clear that the stains are meant to point revolutionary war reference specific materials: red or black iron oxide and mineral oil. This diagram was apparently never realized in sculptural form but is related to a series of impermanent installations that Le Va would complete at the Walker Art Center in Minneapolis in drift 1969.

These installations involved minerals in different states of saturation (wet, damp, and dry) and their potential chemical reactions. Substances were poured directly on the gallery floor and were allowed to dissolve and run into one another, eventually drying, cracking, and staining over time. 21 The strict formal economy of revolutionary war, Le Va’s drawn plan simultaneously contradicts and Video Essay, enhances the flux, flexibility, and physical damage unleashed in the space of the gallery. Figure 7. William Anastasi, Untitled (Subway Drawing) , 1973. Graphite on paper, 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm) Mildred Lane Kemper Art Museum, Washington University in St. Turning Point Revolutionary. Louis, Gift of Mr. and word for strategy, Mrs. Point War. Gary Wolff, 2011. © 2012 William Anastasi. Figure 8. William Anastasi, Untitled (Subway Drawing) , 2009. Graphite on paper, 8 x 11 1/2 inches (20.3 x 29.2 cm) © 2012 William Anastasi.

William Anastasi’s subway drawings (figs. 7, 8) engage a similar process-driven dynamic—highly prescribed yet open to unforeseen occurrences—while reflecting a very different intention from the deliberate, diagrammatic approach employed by rainy mountains, Le Va. Beginning in the late 1960s, Anastasi developed his unconventional series of “unsighted” works—blind drawings, pocket drawings, and subway drawings—as means of turning point, abdicating rather than establishing control by rainy mountains, submitting the graphic process to chance. To create his ongoing series of subway drawings, he sits on a subway train, places a sheet of paper on a board on his lap, takes a pencil in each hand, rests the points on the paper, closes his eyes, dons headphones to block out all ambient sound, and turning war, lets the movement of his body in transit determine the composition of each work. For Strategy. Rather than relying on vision, he creates the work by assigning himself a simple task and arbitrary limits: each drawing is produced in the time it takes him to get from point A to point B on the subway and is finished when he gets off the turning revolutionary war, train at a predetermined destination. By drawing blind and incorporating chance, Anastasi subverts the tradition of drawing as a synthesis of vision, knowledge, and manual skill. In carrying out this prescribed act, which is both meditative and absurd, the artist places his focus squarely on Video Games Key Contributor phenomenology. Phenomenological impact became a key aspect in some strains of Minimalist sculptural production in the late 1960s as artists such as Carl Andre, Robert Morris, and Richard Serra were preoccupied not only revolutionary war with the process of production but also with how a work was perceived by latin word, the viewer in real time and space.

22 These artists often forced the spectator’s body into a confrontation with an object or a visual field as a form of defamiliarization, exhorting viewers to become conscious of their own processes of perception in order to see beyond the prevailing conventions of art. With Anastasi’s more modest drawings, however, it is not the spectator’s active experience of a sculptural work that is highlighted but that of the artist himself. His body becomes a key instrument in the overall performance, serving as a passive implement that absorbs and records motion. Always consisting of turning revolutionary, two scribbled clusters of lines that move in all different directions, the subway drawings read as residues of what, a durational performance and as records of Anastasi’s travels across New York, revealing the temporal experience of the artist. Systematic in approach and detached in procedure, this brand of turning revolutionary war, embodied mark making nevertheless proffers a significant reopening to the bodily subject. Sol LeWitt pushed the process- and systems-based approach to artistic production in still another direction. Autism Essay. Rejecting any focus on war the performing body of the artist, he elevated the working through of an word for strategy, idea to a position of turning point revolutionary, importance, which he understood as equal to that of the Violent Video are a Key Contributor Violence Essay, resulting work. Though initially associated with Minimal art, LeWitt emerged as one of the leaders of Conceptual art. In his “Paragraphs on Conceptual Art” (1967), which became in effect a manifesto for turning point war the movement, he crystallized a radically divergent move in postwar art toward praxis as idea based: “If the artist carries through his idea and makes it into visible form, then all the steps in the process are of importance. The idea itself, even if not made visual, is as much a work of art as any other aesthetic product.

All intervening steps—scribbles, sketches, drawings, failed works, models, studies, thoughts, conversations—are of interest.” 23 Given the importance LeWitt placed on the “intervening steps” in the manifestation of an idea, both drawing and language (visual experience and linguistic experience) hold a privileged place in his body of work. Figure 9. Sol LeWitt, Three-Part Variations on Three Different Kinds of Cubes 331 , 1967. Ink and graphite on Video are a Key Contributor to Teen Violence Essay paper, 11 3/4 x 23 3/4 inches (29.8 x 60.3 cm) © 2012 The LeWitt Estate / Artists Rights Society (ARS), New York. Three-Part Variations on Three Different Kinds of Cubes 331 (1967; fig. 9) is turning point revolutionary, a drawing of a series of three-dimensional structures related to in One Man: Character Analysis of Washington concurrent sculptural explorations. LeWitt plotted different permutations on three-cube constructions or, as he wrote at the top of the point war, drawing in capital letters: “three three-part variations in what which the top and bottom cube have one side removed (3) while the middle cube is solid (1).” The artist replaced traditional principles of sculptural organization and compositional relational order with a chosen permutational system that can be rationally calculated and thus understood by the viewer either mentally or in material form. The cubes are drawn in isometric perspective (a technique commonly employed in technical or engineering drawings) on a hand-drawn grid. The use of the grid emphasizes the uniformity of the cubes: each cube is two grid squares tall and two grid squares wide.

The grid and turning war, the technical rendering give the appearance of an ordered sequence intended to provide objective visual information, expressing a universalizing vision of industrial-age perfection based on Games Key Contributor serial production. It appears that LeWitt used this language of efficiency in order to subvert it, however. 24 The seemingly endless potential for variation implied in his system gives the lie to the fundamental arbitrariness of his concept and turning point war, the subjective decision making that orders it. He employed the grid, the cube, and serial structure as checks to subjective choices, yet his drawing and its system of rules paradoxically work to reaffirm the creative role of the artist. 25. Although the serial is commonly associated with the what is personnel, rationalism found in Minimalist works by artists such as Judd, Andre, and Flavin, it always holds within it a relationship to its opposite: the random or antirational.

LeWitt acknowledged as much in turning war his second text on Conceptual art, “Sentences on Conceptual Art” (1969), making a distinction between the logical approach of scientific or industrial production and that of aesthetic experience: 1. Key Contributor To Teen Violence In America Essay. Conceptual artists are mystics rather than rationalists. They leap to war conclusions that logic cannot reach. 2. Rational judgments repeat rational judgments. 3. Irrational judgments lead to new experience.

4. Formal art is essentially rational. 5. Rainy Mountains. Irrational thoughts should be followed absolutely and logically. 26. LeWitt uses the word irrational loosely in this text. Turning Revolutionary. Employed in this context as a means of signaling the polar opposite of rational judgment and sound logic, the term also implies a type of action that is Video Games are a to Teen in America Essay, completely beyond human control, a meaning that seems to move outside the bounds of the dichotomy that he strives to set up between the rational and the subjective. While LeWitt held on to a systematic approach to point revolutionary war artistic production, he recognized that only by moving past the tautological thinking of rationalist aesthetic approaches could one arrive at new forms and experiences. Figure 10. Eva Hesse, Untitled , 1967.

Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm) © The Estate of Eva Hesse, Hauser #038; Wirth Zurich London. Eva Hesse also probed the relationship between order and disorder, between serial methodology and antirational processes, yet her work delineates an opposing limit of this practice. Although she was part of the circle of rainy mountains, Minimalist and Conceptual artists who worked and turning revolutionary war, socialized in rainy mountains New York in the 1960s and 1970s, her artistic production is often characterized as Postminimal, a term that acknowledges her move to open up the constrained structures of Minimalism by revolutionary, giving geometric form an organic and Games are a to Teen Essay, bodily dimension. Hesse’s work is war, notable for latin word for strategy the way in which it implicates the body in new ways—the body understood as a psychic site rather than the neutral or passive one of Anastasi’s subway drawings and much Minimalist art. Drawing played a central part in this expansion of boundaries. By 1966 Hesse began making a series of drawings using black ink on graph paper. She worked with the controlled grid, but was equally interested in the potential for accident, embarking on what has frequently been described as a form of compulsive repetition and accumulation.

The artist herself gave credence to such an interpretation with statements such as, “Series, serial, serial art, is another way of repeating absurdity.” 27 Her untitled drawing of 1967 (fig. Turning Point War. 10) is exemplary of this series of works in which the basic element of the circle is repeated over and over to fill in the form of the grid. Although relatively sparse, the drawing exudes a concentrated intensity that works to heighten the psychological dimension of Minimalism’s embrace of geometry and repetition. The recurrence of the circle involves a mechanical gesture, yet the end result is what management, decidedly uneven; upon turning point, closer inspection, the irregularities of each circle reveal themselves. Diversity and variation are achieved not as a function of rules of permutation, as in word for strategy LeWitt’s drawing, but as a result of the uneven pressure of the artist’s hand on the paper. Turning Revolutionary War. This endows the drawing with a decidedly personal, tactile dimension that opposes the strict reductivism of LeWitt, her Conceptualist contemporary. Minimal and Conceptual Drawing and its Legacy.

Although their approaches and agendas were notably distinct, all the artists discussed here were working through the fallout of a modernist vision of management, art and society, self-consciously rethinking and challenging established traditions of artistic practice. Created during a liminal moment between modernism and point revolutionary war, postmodernism, their drawings represent less a stylistically coherent body of bureaucratic drift, work than an intensive mode of point, thinking about redefining the material and conceptual conditions of art-making. While attempting to move away from the emotive claims of their Abstract Expressionist predecessors, artists associated with Minimal, Postminimal, and Conceptual practices wanted to uphold the freedom of experimentation with form and materials initiated by artists such as Jackson Pollock. The climate of analysis and material experimentation of the 1960s and 1970s in the United States not only addressed the artwork and standards of artistic production but also extended to the critique of institutions, the role of the artist and rainy mountains, audience, the dissemination of artworks in the market, and the industrial conditions of modern society. 28 Drawing was certainly not the only medium to reflect these tendencies, but its diverse implementation, immediate character, and revolutionary, ability to convey process made it a particularly apt means of registering the generative tension between analytical strategy and rainy mountains, individual creation that underpins much of the art produced at this time. Figure 11. N. Dash, Commuter , 2011. Graphite on paper, 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm) In the four decades since the 1970s, several significant paradigm shifts have reshaped the turning point, political and social world in bureaucratic drift which we live, including the point war, rapid rise of the digital age and an increased global connectedness accompanied by greater mobility, standardization, and Video, homogenization.

Art has continued to point revolutionary war adapt to these new conditions. Many of the issues that motivated the artistic struggle to work through and against modernist endgames—the idea that art is predicated on a progressive model of invention or the essentialist notion that something like the absolute essence of painting or sculpture exists—are of little interest to subsequent generations of artists. Violent Games Key Contributor Violence In America Essay. 29 They no longer feel compelled to grapple with the rules of such a limited approach; nor are they constrained by postmodernism’s negative and turning revolutionary, nostalgic appraisal of the modernist past. Autism Essay. Rather, artists working today openly reference and revise the art historical past, including the turning revolutionary war, history of modernism, exploiting the possibility afforded them of freely engaging with the creative process to All Society Analysis Irving’s Character arrive at new forms and ideas. Figure 12. Jill O’Bryan, 40,000 Breaths Breathed Between June 20, 2000 and March 15, 2005 , 2000-05. Graphite on paper, 60 x 60 inches (152.4 x 152.4 cm) The artists N. Dash and Jill O’Bryan, for instance, adopt a range of modernist strategies, including repetitive and turning point war, serial processes as well as body and Autism Essay, performance art, all of which emerged in the 1960s and early 1970s. They take these strategies down markedly different paths, however, placing overt emphasis on aesthetic gratification, material exploration, and individual gesture coupled with a strong engagement with the tasks and rhythms of daily life. Rather than explicitly linking the practice of drawing to turning revolutionary war large-scale sculptural installations and other conceptual projects—as was the case in the work of bureaucratic drift, Flavin, Serra, Le Va, and LeWitt—both artists embark on highly hermetic forms of creation through which the properties of drawing are probed and turning revolutionary, developed. They highlight labor-intensive methods of manual craft and bureaucratic, the materiality of the specific medium being employed yet also implicate the artist’s body.

N. Dash’s Commuter Works (ongoing since 2010) move beyond the notebook, the preparatory sketch, and the traditional form of pencil on paper (fig. 11). Her works appear conceptually in line with Anastasi’s subway drawings in that they record the artist’s bodily movements while riding public transportation in New York, but they are created without the use of a drawing implement, revealing a desire for a more immediate connection between the maker’s hand and revolutionary, the materials. Dash produces these works by folding, rubbing, creasing, and refolding sheets of paper and then applying pigment (graphite or indigo powder) to them by hand in order to bureaucratic drift highlight the progressive accumulation of wrinkles and marks. Her practice is based less on an exploration of war, automatic processes, chance occurrences, or a sublimation of the what management, subjective self, as are Anastasi’s subway drawings, and more on an examination of the point revolutionary war, means by which bodily expression can be embedded into the support materials associated with painting, sculpture, and drawing. Jill O’Bryan’s large-scale 40,000 Breaths Breathed between June 20, 2000 and March 15, 2005 (2000–2005; fig. 12) also turns drawing into a recording device as the artist meticulously tracked her individual breaths over the course of five years, using only what management pencil marks on turning point revolutionary paper. Latin. In a manner similar to the accumulative gestures seen in Hesse’s gridded drawing, the graphic patterns that emerge across O’Bryan’s large sheet are not rigid or precise but rather organic and irregular, undulating with a gradation of point war, tones based on the amount of pressure the artist exerted on the paper. The final drawing appears as nothing less than a test of drift, endurance, one that resonates with certain approaches to body art and feminist agendas. With its emphasis on time and point revolutionary war, repetition, the work emerges as a fragile, obsessive attempt to explore the conditions of selfhood and register something of the daily experience of art.

Figure 13. Janet Cohen, San Francisco at drift, New York, 10-8-2000, Mets win 4-0 , 2004. Graphite on paper, 9 1/4 x 13 inches (23.5 x 33 cm) © Janet Cohen, 2004. Janet Cohen’s ongoing practice of meticulously charting popular activities such as the seemingly random events of a baseball game offers yet another variation on this internal and indexical approach to mark making, one that appears to speak simultaneously to the fragmentation of contemporary life and nostalgia for a sense of turning point, completeness. Her clustered diagrams of overlapping numbers and Character Analysis of Washington Irving’s Tom Walker, letters in point revolutionary war black and white pencil are the result of her own idiosyncratic system for estimating locations where pitches cross the strike zone and the results of the actual pitches during a given baseball game. Drift. Works such as San Francisco at war, New York, 10-8-2000, Mets win 4–0 (2004; fig. 13) exist as both abstract representations of these events and rainy mountains, as highly individual catalogs of time and thought whose underlying system is understood by the artist alone. What exactly is at stake today in this intertwined desire for an immediacy of touch within prescribed limits? Marking up a blank piece of paper—experiencing a concrete and immediate way of making art within an evolving digital landscape that often removes us from experiencing “the real” and point revolutionary, ourselves—appears to offer itself as an inherently human activity. Latin. The use of predetermined parameters complements such individual efforts, providing a means of organizing thought, tracking time, and perhaps bringing a sense of order and revolutionary war, consistency to the disorder of daily events. Drawing has always served as a vital means of making sense of the world around us and the forces that animate it, mediating rather than mirroring our lived condition.

In the 1960s and Violent Video Games are a to Teen Essay, 1970s artists grappled with industrial conditions then shaping their everyday lives by engaging systematic and programmatic procedures to point revolutionary guide their work. In many instances, the what is personnel, pronounced engagement with seriality and repetitive marking, charting, and diagramming offered a means not of turning point revolutionary, adopting the rational logic of industry but of Violent Video Key Contributor, highlighting art’s potential escape from it. It seems apt in today’s contemporary climate of turning, ongoing upheaval and perpetual advancement of digital technologies that the desire to draw, to mark, to track is rainy mountains, embraced by artists who, much like their historical predecessors, seek to expand the capacities for turning point revolutionary invention while working to regain a sense of human experience. 1. All the works in the exhibition are drawn from the collection of Autism Essay, Sally and Wynn Kramarsky, New York; several of them have been donated by the couple to The Museum of Modern Art, New York. Over the past few decades, the point revolutionary war, Kramarskys have amassed a collection that provides an impressive overview of canonical Minimal, Postminimal, and latin for strategy, Conceptual art, while continuing to turning war collect works by emerging artists whose work is in line with this core aesthetic. 2. The term comes from Mel Bochner, “The Serial Attitude,” Artforum 16 (December 1967): 28–33. 3. See Irving Sandler, “The New Cool-Art,” Art in America 53 (February 1965): 96-101, and Pepe Karmel, “An In-Between Era,” in rainy mountains New York Cool: Painting and Sculpture from the turning war, NYU Art Collection (New York: Grey Art Gallery, New York University, 2008), 21–35. In recent years, several scholars have begun to rewrite the bureaucratic, received history of postwar American art. See, for example, Catherine Craft, An Audience of Artists: Dada, Neo-Dada, and the Emergence of turning war, Abstract Expressionism (Chicago: University of Chicago Press, 2012). 4. The language of late capitalist efficiency and organization informed many of these projects as artists mimicked the division of Video Games Essay, labor into mental and manual realms by commissioning others to realize their ideas or, in some cases, sidestepping actual material production altogether.

For an turning point revolutionary, in-depth analysis of the relationship between artistic production, labor, and the shifting socioeconomic context in 1960s America, see Helen Molesworth, Work Ethic (Baltimore: Baltimore Museum of Autism Essay, Art, 2003), and Julia Bryan-Wilson, Art Workers: Radical Practice in the Vietnam War Era (Berkeley: University of turning point, California Press, 2009). 5. Judd’s drawings, and the significant revision of the role of the artist that they suggest, would meet with controversy later in his career, when the Italian collector Giuseppe Panza authorized the bureaucratic, fabrication of sculptures from the artist’s working drawings without Judd’s permission. Turning Point War. Judd declared these works forgeries, insisting that his oversight was required in the fabrication of his work. Video Are A Key Contributor Essay. See Susan Hapgood, “Remaking Art History,” Art in revolutionary America 78 (July 1990): 114–17. See also Molesworth, Work Ethic , 163. 6. Numerous publications since the 1970s have explored the All Society in One Man: Analysis Irving’s Tom Walker Character, role that drawing played in Flavin’s artistic practice.

See Emily S. Rauh, Dan Flavin: Drawings and Diagrams, 1963–1972 (Saint Louis: Saint Louis Art Museum, 1973); Dan Flavin: Drawings, Diagrams, and point, Prints, 1972–1975 (Fort Worth, TX: Fort Worth Art Museum, 1977); and Dan Flavin Drawing (New York: Morgan Library, 2012). 7. Briony Fer, “Nocturama: Flavin’s Light Diagrams,” in Autism Essay Dan Flavin: New Light , ed. Jeffrey Weiss (Washington, DC: National Gallery of Art, 2006), 46. 8. Dan Flavin, statement on view at the Kunstmuseum Basel in the exhibition Zeichnungen, Diagramme, Duckgraphik, 1972 bis 1975, und Zwei Installationen in fluoreszierendem Licht von Dan Flavin (1975), reprinted in turning point war Dan Flavin (1976), 6. 9. In a 1970 interview with Phyllis Tuchman, Andre states, “I am certainly no kind of conceptual artist because the bureaucratic, physical existence of my work cannot be separated from the idea of it….My art springs from my desire to have things in the world which would otherwise never be there.” See Phyllis Tuchman, “An Interview with Carl Andre,” Artforum 8 (June 1970): 60. 10. Andre, ibid., 57. 11. The drawing relates to Andre’s planar floor sculptures Blue Lock Trial (1966), Blue Lock (1967), and turning revolutionary, Black Lock (1967).

The latter two works have since been destroyed. 12. Latin. Christine Mehring provides a compelling reading of this drawing. See Mehring, “Carl Andre: Blue Lock, 1966,” in point Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection , by rainy mountains, Pamela M. Lee and Christine Mehring (Cambridge, MA: Harvard University Art Museums, 1997), 28–29. 13. Yve-Alain Bois, “Descriptions, Situations, and Echoes: On Richard Serra’s Drawings,” in Richard Serra: Drawings, Zeichnungen, 1969–1990 (Bern, Switzerland: Bentelli, 1990), 17. 14. Richard Serra, “Interview: Richard Serra and Bernard Lamarche-Vadel,” New York, May 1980, first published in Artistes (November 1980), reprinted in Richard Serra: Interviews, Etc., 1970–1980 (Yonkers, NY: Hudson River Museum, 1980), 146. 15. Turning Point Revolutionary. For an in-depth analysis of Serra’s approach to drawing across his career, see Bernice Rose, Michelle White, and Gary Garrels, eds., Richard Serra Drawing: A Retrospective (Houston: Menil Collection, 2011). 16.

Bois, “Descriptions, Situations, and Echoes,” 28. 17. Klaus Kertess has aptly described Le Va’s drawings as having “the clarity and conviction of rainy mountains, a topographic map or a computerized analysis of atmospheric turbulence.” See Klaus Kertess, “Between the Lines: The Drawings of Barry Le Va,” in revolutionary war Barry Le Va, 1966–1988 (Pittsburgh: Carnegie Mellon Art Gallery, 1988), 27. 18. Barry Le Va, “Notes” (undated), reprinted in Accumulated Vision: Barry Le Va (Philadelphia: Institute of Contemporary Art, 2005), 89. 19. Ingrid Schaffner has perceptively noted that while Le Va’s installation photographs might tell us “how Le Va sees his installations,” it is his drawings that “tell us how to drift read them.” See Ingrid Schaffner, “Accumulated Vision and Violence, Barry Le Va,” in Accumulated Vision , 61. 20. Mel Bochner, “Anyone Can Learn to Draw,” press release for turning point war Drawings , Galerie Heiner Friedrich, Munich, 1969, reprinted in Bochner, Solar System #038; Rest Rooms: Writings and Interviews, 1965–2007 (Cambridge, MA: MIT Press, 2008), 61. 21.

Marcia Tucker describes the 1969 installations in Autism Essay Tucker, “Barry Le Va: Work from 1966–1978,” in Barry Le Va: Four Consecutive Installations and Drawings, 1967–1978 (New York: New Museum, 1978), 12. For photographs of the installation, see ibid., 24, 25. 22. Turning Point. See particularly Robert Morris’s series of essays, “Notes on Sculpture” (February 1966) and “Notes on Sculpture, Part II” (October 1966), reprinted in Continuous Project Altered Daily: The Writings of Robert Morris (Cambridge, MA: MIT Press, 1993). 23. Sol LeWitt, “Paragraphs on Conceptual Art,” in Open Systems: Rethinking Art, c. 1970 , ed. Donna DeSalvo (London: Tate Modern, 2005), 180; originally published in Artforum 5 (Summer 1967). 24.

James Meyer, Minimalism: Art and bureaucratic, Polemics in turning point revolutionary the Sixties (New Haven, CT: Yale University Press, 2001), 187. 25. In the 1960s LeWitt was attracted to the cube and the square as “grammatical devices from Autism Essay, which the turning revolutionary war, work may proceed.” He went on to elaborate: “They are standard and universally recognized, no initiation being required of the viewer. Latin Word. . . . The use of turning war, a square or cube obviates the necessity of inventing other forms and reserves their use for invention.” See Sol LeWitt, untitled statement in Lucy Lippard et al., “Homage to word for strategy the Square,” Art in America 55 (July–August 1967): 54. 26. LeWitt, “Sentences on Conceptual Art,” in turning revolutionary war Sol LeWitt: Critical Texts , ed. Adachiara Zevi (Rome: I Libri di AEIOU, 1994), 88, originally published in 0–9 (New York, 1969). 27. Eva Hesse, quoted in Lucy Lippard, Eva Hesse (New York: De Capo, 1976), 96. 28. Bureaucratic Drift. Josef Helfenstein, “Concept, Process, Dematerialization: Reflections on the Role of Drawings in Recent Art,” in Drawings of Choice from a New York Collection , ed.

Josef Helfenstein and Jonathan Fineberg (Champaign, IL: Krannert Art Museum, 2002), 13. 29. Yve-Alain Bois examines the end of turning revolutionary war, modernist painting in terms of what is personnel, play and gaming, suggesting that painting is never an endgame but a game comprising different matches. See Yve-Alain Bois, Painting as Model (Cambridge, MA: MIT Press, 1990), 241–42. Jordan Kantor also takes up Bois’s analogy in turning her essay “Drawing from the Modern: After the Endgames,” in what is personnel management Drawing from the Modern, 1975–2005 (New York: Museum of Modern Art, 2005), 53–54. Error: Twitter did not respond. Please wait a few minutes and turning point revolutionary war, refresh this page.

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