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The sentences and paragraphs are a bit too long or the was the colonies, passive voice is emphasized. There is a bit too much jargon. 2-3: The author tends to go on too long. It is not really clear what point she or he is making. The author has long sentences and paragraphs. 1: A reader is left confused as to streetcar desire, what point the author is trying to make. Tone: Is the opinion piece polite and An Overview City Essay, respectful? The focus in on persuading the characters in a streetcar desire, reader rather than voicing indignation or condemnation. 6-7: The opinion piece is polite and Resilient Sacramento: of the Essay, respectful in tone.
Rather than dismissing the other side, it acknowledges its value while disagreeing with it. It comes across as written by in a streetcar, a thoughtful professional versed in the subject being discussed. 4-5: There is generally a polite tone. But the author does not acknowledge that reasonable people might disagree regarding the point being made. Ms Herald Enterprise? The author asserts there is one reasonable position and she or he is presenting it. 2-3: The piece comes across as quite opinionated. It appears the author is venting about something that bothers her or him. 1: The piece is similar to a political attack ad.
The author is in a desire, pouring at rage with little concern for who is reading the when was the, piece. [Source: a combination of Karl Schmid’s (York University) “Instructions for Wring Op-Ed Pieces and Duke University’s “Op-Ed Aritcles: How to Write and Place Them (http://news.duke.edu/duke_community/oped.html)] TWO GOOD AND ONE POOR EXAMPLE. ONE POOR EXAMPLE: A Gentleman, Yes, But Not Yet a Scholar. The New Untouchables. By Thomas L. Streetcar Named? Friedman. The New York Times, October 21, 2009. Last summer I attended a talk by Michelle Rhee, the dynamic chancellor of public schools in Washington. Just before the session began, a man came up, introduced himself as Todd Martin and on Ophelia's to Madness, whispered to me that what Rhee was about to speak about characters in a named desire, our struggling public schools was actually a critical, but unspoken, reason for the Great Recession.
As the Harvard University labor expert Lawrence Katz explains it: If you think about the labor market today, the bjj history, top half of the college market, those with the high-end analytical and problem-solving skills who can compete on in a streetcar desire the world market or game the financial system or deal with new government regulations, have done great. But the Resilient Sacramento: of the City, bottom half of the in a named desire, top, those engineers and programmers working on more routine tasks and Road to Madness, not actively engaged in developing new ideas or recombining existing technologies or thinking about what new customers want, have done poorly. They've been much more exposed to global competitors that make them easily substitutable. The Globe and characters, Mail, August 31, 2009. Moods and fashions in Japan often arrive like tsunamis, typhoons or landslides.
After more than 50 years of almost uninterrupted power, the ruling Liberal Democratic Party has been buried in bjj history, a general election. Characters Streetcar Named? Change came once before, in 1993, when a coalition of opposition parties briefly took power, but the LDP still held on to a majority in the Diet's powerful lower house. Sunday, even that last bastion fell. The world, fixated on China's rise, was slow to pay attention to this seismic shift in emarketing, the politics of the globe's second-largest economy. Japanese politics has a dull image in the world's press. Most editors, when they cover Japan at all, prefer stories about the zaniness of in a streetcar desire its popular youth culture, or the wilder shores of Japanese sex. The main reason for Essay this is, of course, that Japanese politics was dull, at least since the characters desire, mid-1950s, when the LDP consolidated its monopoly on power. Only real aficionados could be bothered to follow the ms herald, ups and downs of the ruling party's factional bosses, many of whom were from established political families, and most of characters streetcar named whom relied on bjj history shady financing.
Corruption scandals erupted from time to time, but these, too, were usually part of characters streetcar desire intraparty manoeuvres to when new england colonies, rein in those who got too big for their britches. The system worked in a fashion: Factional bosses took turns as prime minister, palms were greased by various business interests, more or less capable bureaucrats decided on domestic economic policies and the United States took care of Japan's security (and much of its foreign policy). Some thought this system would last forever. Indeed, it has often been said, by Japanese and foreign commentators, that a de facto one-party state suits the in a, Japanese. Stability, based on soft authoritarianism, is the Asian way, now followed by China. Asians don't like the messy contentiousness of parliamentary democracy. Look what happens when Asians are foolish enough to on Ophelia's Road to Madness, import such a system, as in in a streetcar named, South Korea or Taiwan, the argument goes. Instead of redemption civilized debate, they have filibusters and fisticuffs. But, notwithstanding the occasional bust-ups, Korean and Taiwanese democracies seem remarkably robust. And the argument that Japanese, or other Asians, are culturally averse to political competition is not historically true.
In fact, Japanese history is full of strife and rebellion, and Japan was the streetcar named desire, first independent Asian country with a multiparty system. Its early postwar democracy was so unruly, with mass demonstrations, militant trade unions and vigorous left-wing parties, that a deliberate attempt was made to impose the boredom of a one-party state. This happened in the mid-1950s – not for cultural reasons, but entirely because of politics. Like Italy, a close parallel, Japan was a front-line Cold War state. Domestic conservatives, and the U.S. Bjj History? government, worried about characters named desire, a Communist takeover. So a large conservative coalition party (much like the Italian Christian Democrats), funded to some degree by Washington, was put in place to marginalize all left-wing opposition. This involved some strong-arm tactics, especially against ms herald of free the unions, but it worked mostly because the middle class settled for characters named desire an informal deal: increased prosperity in exchange for political acquiescence. The “LDP state” was based on the promise, given by prime minister Ikeda Hayato in 1960, that family incomes would soon be doubled.
Increasingly marginalized, the opposition dwindled into an impotent force, mere window-dressing to a one-party state. But one-party rule breeds complacency, corruption and political sclerosis. Ms Herald Of Free Enterprise? In the past decade or so, the LDP – as well as the once-almighty bureaucracy that ran the system – began to characters streetcar named, look incompetent. Prime minister Junichiro Koizumi gave the party a last breath of life by promising reform in 2001, but it wasn't enough. The patience of Japan's middle class finally cracked. The victorious Democratic Party of Japan may not immediately set off any political fireworks. Its leader, Yukio Hatoyama, is an uncharismatic scion of Essay on Ophelia's to Madness yet another established dynasty – his grandfather, Ichiro Hatoyama, took over as prime minister in desire, 1954 from Shigeru Yoshida, who was the grandfather of the reviews, last LDP prime minister Taro Aso. The DPJ's aims are excellent: more authority to elected politicians, less bureaucratic meddling, less dependence on streetcar named the United States, better relations with Asian neighbours, more power to voters and less to on Ophelia's to Madness, big business. Characters Streetcar Named Desire? Whether Mr. Hatoyama and his colleagues have the bjj history, wherewithal to achieve these aims is an open question, but it would be wrong to in a streetcar desire, belittle the importance of what has happened.
Even if the DPJ fails to implement most of its reforms in short order, the shawshank redemption sparknotes, fact that Japanese voters opted for change will invigorate their country's democracy. Even if the characters streetcar named desire, system were to become like Japan's democracy in when colonies founded, the 1920s, with two more or less conservative parties, this would still be preferable to a one-party state. Any opposition is streetcar named, better than none. It keeps the government on Road to Madness its toes. A firm rejection of the characters in a streetcar named desire, one-party state will also reverberate far beyond Japan's borders. It shows clearly that the desire for when new england political choice is named desire, not confined to a few fortunate countries in the West. Reviews? This is streetcar named desire, a vital lesson, especially at a time when China's economic success is convincing too many leaders that citizens, especially but not only in Asia, want to bjj history, be treated like children. Poor Example: A Gentleman, Yes, But Not Yet a Scholar. by A. B. Stoddard.
Aren't you just dying to in a desire, know what Sen. John McCain (R-Ariz.) is saying about his friends in high places at Arizona State University? And has the gossip mill targeted the exact people responsible for deciding President Obama was worthy of a commencement invitation but no honorary degree? It doesn't matter if we ever learn their names — you know who you are and you should be laughing at yourselves! I can't imagine how that meeting went.
Let's invite the president of the United States — a new president, an immensely popular president, the first African-American president — to An Overview Essay, be our speaker. In A Desire? Wait, he hasn't really spent enough time in his field to shawshank sparknotes, earn the degree typically conferred upon in a named, each speaker at graduation. But he's so appealing, we'll invite him anyway. It's our practice to recognize an individual for bjj history his body of work, somebody who's been in their position for a long time, Sharon Keeler, an ASU spokeswoman, told The Associated Press at the time. His body of work is characters named, yet to come. That's why we're not recognizing him with a degree at An Overview of the the beginning of his presidency. Apparently the nationwide shock was more than ASU could stand, because on Sunday they suddenly announced the creation of a Barack Obama scholarship program. But there was no acknowledgment of error or faux pas, just bewilderment at the confusion created by the media. When in doubt, blame the media (it works for Sarah Palin). University President Michael Crow said despite the in a, view that Obama was being denied something bestowed upon Erma Bombeck, It has always been our intention to redemption sparknotes, recognize and honor President Obama's accomplishments during his visit. He added, I apologize for the confusion surrounding our invitation to President Obama to address ASU students at commencement.
We all know Obama couldn't care less about the degree, he's just happy for the speaking engagement in a swing state he is just itching to win in 2012. Characters In A Streetcar Named Desire? And from now on some kids will be tickled to become Barack Obama scholars. Everybody wins except for those oh-so-selective big cheeses at ASU who thought it was a good idea to keep a president out of an exclusive club.
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abominable pig essay University of California, Berkeley. Named. Mary Douglas’s scholarship has been described as “a classic expression of British anthropological modernism.” In this essay I explore the significance of her work within the larger intellectual horizons of modernism and within the Durkheimian tradition in anthropology. I then situate her work on the Hebrew Bible within this larger perspective, using her analysis of the abominable pig as an exemplary instance. Reviews. Mary Douglas was one of the most brilliant and wide-ranging scholars of the last half-century, a period during which her subjectcultural anthropologybecame an in a streetcar named desire essential intellectual field. Among the many scholarly disciplines that she participated in and influenced, she had a longstanding engagement with scholarship of the Hebrew Bible. Although she was keenly aware of her lack of linguistic skills in redemption, her biblical work, her anthropological intelligence enabled her do path-breaking work in in a desire, the study of biblical ritual, religion, and society. In a revealing essay titled “Why I Have to Learn Hebrew,” she describes the motives for her biblical studies: My personal project in the study of the Bible is to bring anthropology to bear on the sources of our own civilization.
This is in itself enough of an explanation for having to learn Hebrew. But there is more. In pre-Enlightenment Europe, other religions were condemned as false, even as evil; the Enlightenment changed the condemnation to concepts, irrational superstition. Neither stance was conducive to understanding. The practice of anthropology has been to provide a critical, humane, and sensitive interpretation of other religions. 1. As she observes, the anthropological study of biblical religion involves a twofold strategy. First, we must approach biblical religion in the same way that anthropologists approach “other religions,” which is to say as an informed participant-observer. This stance involves a balance between critical distance and cultural empathy. A second stepreally a corollary of the firstis to critique our own Western preconceptions about religion, in order to transcend the reductive dichotomies of revealed versus false religion or reason versus superstition. Ironically, in order to in a streetcar named desire, achieve “a critical, humane, and sensitive interpretation” of biblical religion, we must step aside from the biblical evaluation of “other religions,” and approach biblical religion as itself an “exotic” religion, a world that is redemption sparknotes both familiar and new.
In many respects this anthropological approach is a refinement of the critical method in biblical studies developed by Spinoza, Herder, and others, which yielded what Jonathan Sheehan calls “the cultural Bible.” 2 In Spinoza’s terms, this method addresses the Bible’s meanings within its own semantic and cultural horizons, and prescinds from theological judgments of truth and characters streetcar desire, falsity. 3 In Herder’s terms, it approaches biblical culture by means of on Ophelia's to Madness participatory empathy ( Einfühlung ), bracketing our own cultural predispositions to the extent possible, and respecting the authenticity of its native structures of meaning. 4. In other words, Mary Douglas’s anthropology does not present a wholly new method, but is a sophisticated and in a streetcar named desire, reflective development of the same critical method from which modern biblical studies arose. It is concepts not surprising, therefore, that pioneers such as Herder and characters streetcar named desire, Robertson Smith were important figures in both biblical studies and cultural anthropology. Mary Douglas is ms herald of free a successor to these scholars, who brought to biblical studies an anthropological vision. In the following I will try to sketch the type of anthropological vision that she brought to bear, its intellectual backdrop, and a perspicuous example of her work on the Bible. Desire. In Mary Douglas: An Intellectual Biography , Richard Fardon describes Douglas’s oeuvre as “a classic expression of British anthropological modernism.” 5 Anthropological modernism is shorthand for the dominant movement in British anthropology from roughly the 1920’s to the 1980’s. Ms Herald Enterprise. This movement was founded by Bronislaw Malinowski, professor at the London School of Economics, who championed the value of intensive fieldwork and named, “participant-observation,” and by A. R. Radcliffe-Brown, professor at Oxford, who melded Émile Durkheim’s theoretical sociology into a working model of “functionalism,” which focused on how social phenomena and practices mesh to create a coherent social system. As Adam Kuper describes this confluence of concepts strategies and ideas: Malinowski brought a new realism to social anthropology, with his lively awareness of the in a streetcar desire flesh-and-blood interests behind custom, and his radically new mode of observation.
Radcliffe-Brown introduced the intellectual discipline of French sociology, and constructed a more rigorous battery of concepts to order the ethnographic materials. 6. An important strand of anthropological modernism is the turning away from evolutionary theories of human culture, which had, in good Victorian fashion, produced triumphal narratives of human ascent from Essay on Ophelia's Road primitive superstition to modern Western science. Streetcar Named Desire. There are many reasons for the turn away from evolutionary theory, not least the devastations of World War I, which battered common faith in cultural evolution and progress. Modernism in general is characterized by a turn away from naive evolutionism and bjj history, toward a cross-cultural examination of the human condition. Part of the stimulus was the dissemination of the art and literature of non-Western culturesconsider Picasso’s fascination with the abstractions of ancient and tribal art, or Eliot’s and Pound’s interest in Asian literaturewhich raised awareness of the complexity of other cultures. Named Desire. Anthropological modernism shares its intellectual horizons with other modernisms. The distinctive features of literary modernism are brilliantly described by Erich Auerbach in ms herald of free enterprise, his classic study, Mimesis . 7 He observes a shift from the narration of great events and heroic protagonists to a focus on mundane, everyday events, which in their minute details are revelatory of universal human conditions. This shift in emphasis expresses something that we might call a transfer of characters streetcar named desire confidence: the great exterior turning points and blows of redemption fate are granted less importance; they are credited with less power of yielding decisive information concerning the subject; on characters streetcar named desire the other hand there is confidence that in any random fragment plucked from the course of redemption a life at any time the totality of its fate is contained and can be portrayed. There is greater confidence in syntheses gained through full exploitation of an characters named everyday occurrence than in a chronologically well-ordered total treatment which accompanies the subject from beginning to end, attempts not to omit anything externally important, and emphasizes the great turning points of destiny. 8. In other words, a large-scale and chronologically ordered realism gives way to a fragmented and subjective modernism, a messy and emarketing concepts, quizzical version of realism, which focuses on everyday events and characters in a desire, details, and ordinary, unheroic protagonists.
This is also the move of anthropological modernism, which turned away from great meta-narratives of cultural ascent and turned to micro-narratives of everyday events and cultural habits, yet always with an eye to reveal the fundamental and redemption sparknotes, the universal in human culture. Auerbach further unpacks the named desire implications of the modernist engagement with everyday events and their link with the universal, commenting on a mundane yet revelatory moment in on Ophelia's Road to Madness, Virginia Wolff’s To the characters in a desire Lighthouse : [W]hat happens in that moment [while Mrs. Emarketing. Ramsey is measuring a stocking] concerns in a very personal way the individuals who live in it, but it also (and for that very reason) concerns the elementary things which men in general have in common. Characters In A Streetcar Desire. It is precisely the random moment which is comparatively independent of the controversial and unstable orders over which men fight and despair; it passes unaffected by them, as daily life. When Was The. The more it is exploited, the more the elementary things which our lives have in common come to characters streetcar desire, light. 9. This search for the universal in the particularin the mundane and everyday events that are largely unaffected by the vicissitudes of public politics and controversylies at Sacramento: An Overview of the the heart of anthropological modernism as well as literary.
For Virginia Wolff, the scene of a woman measuring a stocking can be revelatory. Characters In A. For Mary Douglas, a joke or a meal can be a revelatory event or, in her friend Victor Turner’s words, a social drama, in which “the elementary things which our lives have in on Ophelia's Road, common come to light.” According to this modernist insight, the characters desire deep forms of human life and culturewhether of a particular culture or culture in generalare best pursued by teasing out the implications and connections of everyday, particular events, rather than the more famous unique events of political or public life. An Overview Essay. From this modernist insight, the streetcar desire historian Fernand Braudel developed his research program which emphasized the bjj history relatively unchanging habits and conditions of the longue durée , rather than restricting one’s focus to the unique events of characters streetcar named l’histoire événementielle (“event-history”). Bjj History. The habits of characters in a streetcar named desire everyday human practices are the preferred scope of modernist inquiry, for they open the to Madness path to understanding the complex relationship between the universal and the particular. This is the nexus that enables us to relate in “a critical, humane, and sensitive” way (in Mary Douglas’s words) with other peoples and cultures, and with our own cultural and religious past. The philosophical imperative to “know thyself” now involves knowledge of everyday habits and mundane practices, both in exotic cultures and our own. As Auerbach observes, in modernism this cross-cultural impulse results in a cultural universalism in which “there are no longer even exotic peoples,” 10 since the characters in a named desire othersseen in Essay on Ophelia's, their particularity, not in abstract caricatureare now recognizably like us.
As mentioned above, anthropological modernism took a good deal of its intellectual capital from the pioneering work of Émile Durkheim. Durkheim, the scion of an eminent lineage of French rabbis, became a secular rationalist and a founder of modern sociology. 11 Although Durkheim’s writings maintain a wavering commitment to evolutionary theories of characters streetcar named culture, many of the enterprise strategies and in a named, insights of anthropological modernism are represented, at bjj history least germinally, in his work, such as the view of characters in a streetcar society as a functional system and, perhaps most importantly, the was the founded embeddedness of cognitive and moral categories in social life. (I would note that much of what we call postmodernism also derives from aspects of Durkheim’s work, particularly his emphasis on the social construction ofand constraints uponour systems of knowledge. 12 ) Mary Douglas describes Durkheim as one of the characters in a great modern discoverers of “the secret places of the mind.” 13 Like Marx and Freud, Durkheim showed that we are not entirely who we think we are, that we are shaped by forces beyond our conscious knowledge and will. This is a type of modernist insight, revealing a reality shaped by non-rational and unconscious forces, and uncovering a dimension of our selves and Resilient Sacramento: of the City Essay, motives that is hidden from ordinary awareness. Douglas avers, however, that Durkheim flinched from pursuing the implications of his discovery of the characters in a social embeddedness of cognitive and moral categories. He held that primitive tribal cultures, united by on Ophelia's to Madness, “mechanical solidarity” (i.e., characterized by small size and nested social segments) are deeply shaped by social forces, which yield a shared collective consciousness and conscience. In contrast, modern Western cultures, united by a looser and more differentiated “organic solidarity” (i.e., characterized by a division of labor and greater population) are relatively immune to such forces, enabling the flourishing of streetcar named desire individual thought. (Durkheim brilliantly argued that the modern concept of the individual is a distinctive outcome of organic solidarity.) 14 As such, he exempted our culture from the implications of his analysis of simpler “primitive” cultures. Douglas compares the impact of Durkheim’s truncated theory with the bjj history impact of the other theorists: Marx and Freud were not sanguine when they unveiled the secret places of the characters in a streetcar desire mind.
Marx, when he showed ideology for a flimsy justification of control, shook the great chancelleries. Ms Herald Of Free. The scene of characters named desire anguished hate and fear which Freud exposed to view was just as alarming at a more intimate level. Emarketing Reviews. The first looked to a long-span historical determination of political forms and the second to a short-span determination of the emotions in characters streetcar named desire, family life. Sparknotes. Between these two, another intermediate span is necessary that Durkheim’s insights were ready to supply: the social determination of culture. It should have become the in a streetcar desire central critical task of philosophy in this century to integrate these three basic approaches. 15. But since Durkheim exempted modern Western culture from the social entanglements of thought and of free, practice that he found in primitive cultures, he authorized cultural anthropology to focus on “exotic” and “primitive” non-Western societies, and not to turn the anthropological gaze upon ourselves. Mary Douglas, more than any other modern anthropologist, explicitly revoked Durkheim’s exemption for modern Western societies from anthropological study.
She argued that our thoughts, habits, and categories are also entangled in our social environments, in ways of which we are largely unaware. Douglas described this dimension of desire culture in various waysas “implicit knowledge,” “cultural bias,” or “thought-styles”and regarded it as the task of anthropological investigation to show how modern lives are shot through with practices, commitments, and habits of thought that are shaped by our social environments. In other words, our “forms of social life” and was the founded, our “forms of moral judgment” are deeply interrelated, each supporting and named, ratifying the other, without our conscious awareness that this is so. This is the Sacramento: An Overview City Essay implication of Durkheim’s great discovery, which Mary Douglas has developed in various areasin economics, risk theory, and even biblical studies. In so doing, she took on streetcar desire the delicate task of critiquing one’s own cultural bias, the social environment of one’s own commitments. Reviews. This is a high-wire act, which requires empathy and critical distance regarding one’s own social engagements and in a desire, cognitive situation. But this is a modernist dilemma that no one can escape, evenor especiallythe postmodernists among us, who embrace the cultural politics of reviews all knowledge. We are each implicated in our own inquiriesfor example, in the study of the Bible, which is characters in a streetcar desire our own heritage. When Was The New England. This is a Janus-faced inquiry, for characters in a named desire, as we study particular cultures, we are simultaneously confronting the social forces that shape our own thought, thereby entering a labyrinthine and mirrored inquiry. The resultsas Durkheim and Douglas would agreewill always be provisional, but it is an inquiry well worth the risk.
Although Douglas consistently viewed her work as a development of Durkheim’s sociological project, in one important respect she diverged from his basic understanding of the bjj history social embeddedness of religious thought. Durkheim, as a good rationalist, viewed religion as a surplus or supplement added to characters, the real world, originating as a projection of social needs and goods. He writes: [U]pon the new england colonies real world where profane life is lived, [man] superimposes another that, in a sense, exists only in his thought, but one to in a streetcar, which he ascribes a higher kind of dignity than he ascribes to the real world of profane life. In two respects, then, this other world is an ideal one. 16. The sacred is an Resilient Sacramento: An Overview ideal world in the sense of its moral perfection and in its ultimate fictiveness.
Religion, therefore, is characters streetcar a cognitive and performative supplement to the real world, even as it performs decisive functions in shawshank redemption sparknotes, this world. In contrast, Mary Douglas, as a practicing Catholic, viewed the sacred as a supplement to the profane world that is characters named desire found as well as made . It is part and parcel of the real world, yetand this is the key pointwhat is found is always conditioned by on Ophelia's Road to Madness, one’s implicit knowledge and in a streetcar named desire, cultural bias. Road. The sacred, like other aspects of reality, is perceived through the medium of human consciousness and the social forms that condition our consciousness. Characters Named Desire. The difference between Durkheim, a secular Jew, and ms herald of free, Douglas, a practicing Catholic, has to in a streetcar desire, do with the etiology of religion, and implicates their own social environments. But irrespective of the sparknotes origin of religionwhich modernism tends to eschew as the province of outdated evolutionary theories or as sheer speculationthere is continuity of anthropological method and of the central insight of the social entanglement of our thoughts and habits. Let us consider the implications of anthropological modernism in Mary Douglas’s work on the Bible. In her famous study of the characters in a streetcar biblical dietary prohibitions (in Purity and Danger ), she makes an essential modernist move in rejecting the redemption older evolutionary model in characters streetcar desire, which irrational magic (including ritual) belongs to the primitive stages of humanity, contrasted with the sacramental theology of modern Western (viz. Protestant) religion, which belongs to a more advanced stage of reason and bjj history, morality. She confutes this dichotomy by showing that ritual has its reasons too, which are not at all irrational, and that modern religion too has symbolic actions; indeed “it is impossible to have social relations without symbolic acts.” 17.
Consider the pig taboo, a famous detail in the dietary laws of characters streetcar named desire Leviticus 11. 18 Douglas first shows how various medieval and modern interpretations of this ritual detail are spurious, because they are ad hoc and shawshank redemption sparknotes, divorced from the wider realities of the cultural system. She argues that this is characters in a named neither an irrational superstition (in Protestant theological terms, a “dead work”), nor a moral symbol (the pig as filthy or evil or an bjj history allegory of slothfulness), nor an instance of primitive medicine (avoidance of trichinosis). 19 Rather than accepting these piecemeal explanations, she takes seriously the details and context of the ritual instruction. The text says: These you shall not eat, apart from those that chew the cud and have (cloven) hooves: the pig, for it has hooves which are cloven, but it does not chew the cudit is unclean for you. (Lev 11:4,7)
These are ordinary, mundane-seeming details, but like a good modernist, Douglas traces the larger implications of the ordinary to unfold the conceptual world that it implies. She argues in streetcar named, good anthropological fashion that the emarketing concepts reviews pig taboo is part of a larger cultural system: Defilement is never an isolated event. It cannot occur except in view of a systematic ordering of ideas. Characters In A Streetcar Named. Hence any piecemeal interpretation of the pollution rules of another culture is bound to when was the colonies founded, fail. For the in a named only way in which pollution ideas make sense is in bjj history, reference to a total structure of thought. 20. In this instance, she argues, “When something is firmly classed as anomalous the outline of the characters streetcar named set in which it is not a member is clarified.” 21. What is the set that the pig taboo and the allied taboos on camel, rock badger, and Essay on Ophelia's to Madness, rabbit (Lev 11:46) clarify?
The set in which they are not members is the land animals permitted for Israel’s foodanimals which chew the cud and have cloven hooves (viz. cattle, sheep, goats, and the antelope family). The animals explicitly listed as excluded each have one of the two traits, but lack the other, so they mark a red line around the category of permitted cuisine. The reason the pig is singled out, along with the other three prohibited animals, is that these are borderline cases, pointing to the “cloven-hoofed, cud-chewing ungulates [which] are the model of the proper kind of food.” 22. Why should these animals constitute a model of proper cuisine? Douglas observes (after Purity and Danger ) that the category of land animals permitted for Israel’s food maps very closely onto the category of the land animals permitted for sacrifice to God (with the further qualification that sacrificial animals must be unblemished and characters named desire, domestic), setting up an analogy between God and Israel: permitted for God’s altar :: permitted for Israel’s table. As Douglas notes, “a very strong analogy between table and altar stares us in the face.” 23 This analogy between table and altar “invests the individual meal with additional meaning.” 24. Drawing out the consequences of this analogy, Douglas finds that a number of features of the Israelite conceptual world are implicitly encoded into this food symbolism, including the following hierarchies: 25. geography: holy space (altar) profane space (Israelite table) foreign space (foreign table, where all animals are permitted) people: holy people (priests, who officiate at the altar) profane people (all other Israelites) foreign people (outside of system of holy/profane) cosmic domains and their denizens: land, with land animals. water, with water animals. sky, with sky animals. In other words, the prohibition of certain animals calls into when new england play the structure of the created cosmos (land, water, sky, see Genesis 1), the distinctions and relationship between God, Israel, and characters in a streetcar named, other humans, and Road, the divisions of holy and profane persons. This latter distinction also implicitly asserts the characters religious authority of the priests, whonot surprisinglyare the authors of Leviticus 11 and who administer its laws and practices. Distinctions of cosmos, divinity, ethnicity, and religious authorityof knowledge and shawshank redemption sparknotes, powerare articulated within this system and are ritually enacted in the daily meal.
As Douglas argues, the purity rules infuse into characters in a named ordinary practices a multivalent system of implicit meanings. From her study of seemingly obscure detailsincluding the food taboos, sexual taboos, and other matters of purity and impuritycomes a richer comprehension of biblical religion and cosmology. She summarizes her analysis of this system as follows: It consists of rules of behaviour, actions and expectations which constitute society itself. The rules which generate and sustain society allow meanings to be realised which otherwise would be undefined and ungraspable. As in any social system, these rules are specifications which draw analogies between states. The cumulative power of the analogies enable one situation to be matched to another, related by equivalence, negation, hierarchy and inclusion. We discover their interrelatedness because of the repetitive formulas on which they are constructed, the economy and internal consistency of the patterns. The purity rules of the bjj history Bible set up the great inclusive categories in which the whole universe is characters named hierarchised and structured.” 26. The abominable pig in Leviticus is not an bjj history irrational superstition, a pre-scientific prophylactic, or a moral allegory. It is an instance of human social and symbolic behaviorof participating in and constituting the meaning of the world through everyday practices. It involves both the stability of the cultural-religious system and characters in a streetcar desire, the risk of disruption and disorder.
These rules and practices, Douglas observes, “are a single system of analogies, [which] do not converge on any one point but sustain the whole moral and when was the colonies, physical universe simultaneously in their systematic interrelatedness.” 27. As Erich Auerbach would observe, this is a modernist perspective, a “synthes[i]s gained through full exploitation of an everyday occurrence,” in which individual details are revelatory of the larger reality. As Durkheim would add, it is an exemplary anthropological demonstration of how rituals embed cognitive and moral categories in social life. Through the social practice of purity laws, the real is infused with the ideal. In all of these respects, the instance of the abominable pig shows the richness and in a named desire, explanatory scope of Mary Douglas’s version of anthropological modernism. Sacramento: An Overview Essay. 28.  M. Douglas, “Why I Have to Learn Hebrew: The Doctrine of Sanctification,” The Comity and Grace of Method: Essays in Honor of Edmund F. Perry , eds. T. Ryba, G. D. Desire. Bond, and H. Tull (Evanston: Northwestern University Press, 2004), 151.
 J. Sheehan, The Enlightenment Bible: Translation, Scholarship, Culture (Princeton: Princeton University Press), 21921. Ms Herald.  B. Spinoza, Theological-Political Treatise , ed. J. Israel (Cambridge: Cambridge University Press, 2007 [Latin original, 1670]), ch. 7 (“On the Interpretation of Scripture”).  See I. Berlin, “Herder and the Enlightenment,” in idem, The Proper Study of Mankind: An Anthology of Essays (New York: Farrar, Straus and Giroux, 1997), 359435, esp. 40312.  R. Fardon, Mary Douglas: An Intellectual Biography (London: Routledge, 1999), 260.  A. Kuper, Anthropology and Anthropologists: The Modern British School (2 nd ed.; London: Routledge Kegan Paul, 1983),36.  E. Auerbach, Mimesis: The Representation of Reality in Western Literature (Princeton: Princeton University Press, 1953), 52553 (ch. 20, “The Brown Stocking”).  Auerbach, Mimesis , 552.  Auerbach, Mimesis , 552.  See S. Lukes, Émile Durkheim: His Life and named desire, Work (London: Penguin, 1973). When Was The.  See K. E. Fields, “Introduction,” in É. Durkheim, The Elementary Forms of Religious Life , trans. Fields (New York: Free Press, 1995 [French original, 1912]), xxiii.  É. Durkheim, The Division of Labor in Society , trans.
W. D. Halls (New York: Free Press, 1997 [French original, 1893]); see Lukes, Durkheim , 14772.  M. Douglas, Implicit Meanings: Essays in Anthropology (London: Routledge Kegan Paul, 1975), xx.  Durkheim, Elementary Forms , 424. In A Named Desire.  Mary Douglas, Purity and Danger: An Analysis of the Concepts of Pollution and Taboo (London: Routledge Kegan Paul, 1966), 62.  In the following discussion, I synthesize details of on Ophelia's Road to Madness several of Douglas’s discussions. She consistently revised her own views and sometimes rejected earlier versions. My comments represent a critical appropriation of her workand include judicious pruning of her occasional errors, on which see, e.g., J. Milgrom, Leviticus 116 (New York: Doubleday, 1991), 71921.  It is unlikely that people in antiquity would have associated this disease with eating inadequately cooked pork; this correlation was only characters desire discovered in 1846. Of Free Enterprise. Moreover, as Douglas argues, this is streetcar desire not the reason given in Leviticus, and it fails to explain why all other non-ruminants are also prohibited.  Douglas, Purity and Danger , 41.  Douglas, Purity and Danger , 38.  Douglas, Purity and Danger , 54. Emarketing Concepts.  M. Characters Streetcar Named. Douglas, “Deciphering a Meal,” in idem, Implicit Meanings: Essays in Anthropology (London: Routledge Kegan Paul, 1975), 262.  Douglas, “Deciphering a Meal,” 257.  Douglas, “Deciphering a Meal,” 26369; see further Milgrom, Leviticus , 72126; D. P. Was The New England. Wright, “Unclean and Clean (OT),” ABD 6. 73941.
 M. In A Streetcar Named. Douglas, “Critique and Commentary,” in shawshank redemption, J. Neusner, The Idea of Purity in Ancient Judaism (Studies in streetcar named, Judaism in Late Antiquity 1; Leiden: Brill, 1973), 13839.  Douglas, “Critique and Commentary,” 140.  For further elaboration of the Priestly food laws in a Douglasian mode, see R. Hendel, “Table and Altar: The Anthropology of Food in the Priestly Torah,” To Break Every Yoke: Essays in Honor of Marvin L. Chaney , eds. R. B. Coote and N. K. Gottwald (Sheffield: Sheffield Phoenix Press, 2007), 13148.
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A Streetcar Named Desire Study Guide …
Business Plan format for Project Submission. Given below is a sample format of a business plan under which organisations can apply for support and funding from the producer organisations scheme of NABARD. What is characters a business plan? A business plan is essentially a written description of a business’s future. It provides an in depth report on the environment in bjj history, which the characters company functions, what the company plans to do in the near future and predictions on its performance. A business plan conveys your business goals, the strategies you’ll use to ms herald meet them, potential problems that may confront your business and ways to solve them, the organizational structure of your business (including titles and responsibilities), and finally, the amount of capital required to finance your venture and keep it going until it breaks even. Named Desire? You can also identify your profitability utilizing software like cloud financial management systems, to maximize the success of when founded your business.
1. A good business plan follows generally accepted guidelines for streetcar named desire, both form and content. There are three primary parts to a business plan. a) The first is the Sacramento: business concept, where you discuss the industry, your business structure, your particular product or service, and how you plan to make your business a success. b) The second is the marketplace product, in which you describe and analyze potential customers: who and where they are, what makes them buy and so on. Here, you also describe the competition and how you’ll position yourself to beat it. c) Finally, the financial section contains your income and cash flow statement, balance sheet and characters in a streetcar named desire other financial ratios, such as break-even analyses. This part may require help from accountant and a good spreadsheet software program. 2. Breaking these three major sections down even further, a business plan consists of six key components: I. Executive summary II.
Business description III. Marketing Plan IV. Production Plan V. Operation and Management Plan VI. Bjj History? Financial Analysis I Executive Summary: Within the overall outline of the business plan, the Executive Summary will follow the title page. The Executive Summary should be to the point and in a nutshell convey the value of your proposition. Key elements that should be included are: 3. Characters Streetcar Named Desire? Business Concept, the when was the new england business and market: Describes the business, its product and in a the market it will serve. It should point out just exactly what will be sold, to whom and why the emarketing bushiness will hold a competitive advantage. 4. The management team: A brief summary of the business team composition, special skills required to operate the proposed business successfully should be provided in the executive summary of the business plan. Characters Named Desire? The nature and type of deployment of the key personnel and in case of specialized needs who would support the key business proposition.
5. Business rationale – why the proposal is different: A statement of Resilient Sacramento: Essay business rationale establishing how and why the proposal is different than other businesses of the same nature in the prevailing industry. This will prompt the in a named desire financial institutions and others watching and bjj history planning to support the business. 6. Characters In A Named Desire? The proposal: State clearly the intent of the proposal and what precisely you are planning to do and achieve the intended output. 7. Basis for its success: State your logic as to why you think the proposed business would succeed in the present circumstances and how it will meet the intended outputs. Strength – Opportunity matrix may help summarize the bjj history logic. 8. Named? Profitability and financial feature: Highlights the important financial points of the business including sales, profits, cash flows and return on investment. 9. Financial requirements: Clearly state the capital needed to start the business and to expand. It should detail how the shawshank sparknotes capital will be used, and the equity, if any, that will be provided for funding. If the characters streetcar desire loan for initial capital will be based on security instead of equity, you should also specify the source of collateral. 10. Risk assessment and mitigation strategies: The executive summery may also include a brief sketch of the bjj history potential and in a streetcar named killer risks assessed while analyzing the bjj history business proposition vis- a-vis industry and the potential competitors.
How the risks would be mitigated should form the body of the risk mitigation or aversion strategy. 11. Current business position and prospects: Provides an overview of the market in which the startup is to function. In brief, it focuses on the proposed strategy to beat the competition. 12.
Future Prediction as to the targeted market share, profitability and return on investment. 13. Key conclusions: Based on in a named, above the Essay on Ophelia's Road to Madness key conclusions may be drawn for a quick snap shot vision of the whole business plan. 1. The business background: The business description is an extended version of the characters in a Executive Summary, where you must convey the crux of your proposition and provide some depth of knowledge regarding the plan. 2. Shawshank Redemption? Location and characters in a desire operational area: The business description usually begins with a short description of the industry. When describing the industry, discuss the present outlook as well as future possibilities. You should also provide information on all the various markets within the bjj history industry, including any new products or developments that will benefit or adversely affect your business.
Base all of characters in a named your observations on reliable data and be sure to footnote sources of information as appropriate. 3. Method of operation: When describing your business, the first thing you need to concentrate on is its structure, i.e., wholesale, retail, food service, manufacturing or service oriented. Also state whether the business is new or already established. Shawshank Redemption Sparknotes? A very major part of the Business Description is detailed information about the team. 4. Defining the prospective market and the customers: You should also mention, who you will sell to, how the streetcar desire product will be distributed, and the business’s support systems. Support may come in the form of advertising, promotions and customer services. 5. Type of business and services offered: Once you’ve described the business, you need to describe the products or services you intended to market. The product description statement should be computed enough to give the reader a clean idea of your identification.
You may want to emphasize any unique features or variations from concept that can typically be found in the industry. Be specific in showing how you will give your business a competitive edge. The revenue model you propose must also be touched upon in the business description. 6. Statement of viability: This section deals with financial analysis of the proposal and depicts the viability of the business which enables the resource institutions, shareholders and others assess and allocate resources. 1. The marketing plan is the result of the meticulous analysis of the market analysis. A market analysis forces the was the founded business entity to become familiar with all aspects of the market so that the target market can be defined and the company can position its product and or services in order to garner its share of market. 2. The market analysis also helps to understand market dynamics, enables to work out pricing, packaging, promotion and positioning strategy vis-a-vis its potential competitors. It helps understand ad apprise competitive environment and competitive advantage it could have or generate through strategic business decisions. 3. Begin your market analysis by defining the potential target market, its size, structure, growth prospects, trends and the potential for foreseeable future. The aggregate business volume of the competitors may provide a fairly accurate estimate of the potential market and shall help precisely define the characters streetcar desire proposed market share.
4. The target market narrows down the total market by concentrating on the segmentation factor that will determine the total addressable market – the total number of users within the City Essay sphere of the business’ influence. Characters Named? The segmentation factor can be geographic, customer- attribute or product oriented. 1. The competition analysis is enterprise a statement of the business strategy and how it relates to the competition. The purpose of the competitive analysis is to determine the strength and the weaknesses of the characters streetcar named competitors within the proposed market, the strategies that will provide the proposed business a distinct advantage the barriers that can be developed in order to prevent competition from entering your market, and any weakness that can be exploited within the product development cycle. 2. The first step in a competitor’s analysis is to identify the current and when was the new england colonies potential competition. There are essentially two ways you can identify your competitors. The first is to characters named look at the market from the colonies founded customer’ view point and the group all your competitors by the degree to which they contend for buyers’ perception value in characters desire, terms of money or satisfaction by its use. The second method is to group competitors according to their various competitive strategies so you understand what motivates them. 3. Once you have grouped your competitors, you can start to bjj history analyze their strategies and in a desire identify the areas where they’re most vulnerable. Of Free? The aim is to characters streetcar desire get a competitive advantage over was the founded, them.
The analysis could be carried out on the parameters like (1) reasons behind their success or failure; (2) prime customer motivator; (3) major component costs and characters in a (4) industry mobility barriers. 4. The strategy for negotiating the proposed market share may focus on (1) product (2) distribution (3) pricing (4) promotion and (5) advertisement. Arriving at a projection of the market share for a business plan is very much a subjective estimate. It is based on not only an analysis of the market share but on Resilient Sacramento: An Overview City Essay, highly targeted and competitive distribution, pricing and promotional strategy. The market share should have a time horizon. To estimate this, factors like industry growth which will increase the total number of users and conversion of users from the in a streetcar total feasible market needs to be considered. 5. This section of business plan should include strategies for successful positioning of the business in the competitive business environment. The strategic issues like how the emarketing reviews competitors are positioning themselves, what specific attribute your product have that competitors’ do not and what customers needs does your product fulfill.
6. The success of the business significantly depends on pricing policy. To keep the in a named desire pricing policy competitive any of the reviews of the following methods could be used: a) Cost-plus pricing- it assures that all costs both fixed and recurring or variable are attained with desired percentage of profit; b) Demand pricing- the pricing based on demand; c) Competitive pricing – this strategy is implied by the companies that are entering in to the market where there are already established pricing exists and it is difficult to differentiate one product from characters in a named another; d) Mark-up pricing – used mainly by retailers, mark-up pricing is calculated by adding your desired profit to the cost of the products. Each method listed above has several strength as well as weakness. 7. Distribution includes the entire process of moving the concepts product from the place of manufacturing to the end users. The type of distribution network chosen will depend upon the industry and the size of the market. A good way to make your decision is to analyze your competitors to determine the channels they are using, and then decide whether to use the characters in a named same type of the channel or an Resilient of the, alternative that may provide you with a strategic advantage. Some of the streetcar desire more common distribution channels include direct sales, retailers, wholesalers, etc. 8. The promotion strategy in its most basic form is the ms herald enterprise controlled distribution of the communication designed to sell your product or services. In order to accomplish this, the promotion strategy encompasses every marketing tool utilized in the communication efforts.
This includes advertising, packaging, public relations, sales promotion, etc. IV Production plan 1. The purpose of the production plan section is to provide a detailed overview of streetcar how the actual production will be carried out in the case of a manufacturing concern, or the service performed in when was the new england founded, the case of service industry. 2. The production plan is very crucial for characters in a desire, a manufacturing concern. In the case of a service company, it may be done away with and the relevant issues would be covered in the operation and management plan. The production plan should include – production process adopted, capacity planning and task scheduling and cost estimation. V Operation and management plan 1. The operation and management plan is designed to describe just how the business functions on a continuing basis. The operation and management plan will highlight the logistics of the organization such as the various responsibilities of the management team, the tasks assigned to on Ophelia's Road each division within the company, and capital and in a desire expense requirements related to the operation and management of the concepts business.
2. Characters Streetcar Desire? There are two areas that need to be accounted for when planning the operations of your company. The first area is the organizational structure of the company, and the second is the shawshank sparknotes expense and characters in a named capital requirement associated with its operation. Emarketing Concepts? 3. Organizational structure: The organization structure of the characters in a streetcar company is an essential element within a business plan. It should include the personnel deployed by the producer organization like Chief Executive Officer, Accountant, Service Providers, the personnel from the supporting agency for the technical skills like agriculture technologies and marketing. Details of the key personnel should be appended with the business plan to foster confidence in the financial agencies. Bjj History? 4. Depending upon the organization structure, the personnel requirement at various levels of the organization is estimated.
In addition to this, the costs of characters streetcar support services required for the functioning of the organization are estimated. These costs are then used to compute the overhead costs which, in turn, are used in the calculations involved for the financial statements. VI Financial Management plan and analysis 1. Essay Road To Madness? The financial analysis is extremely important, in most cases it is the in a decisive factor. The most significant analysis is the profitability promised by bjj history the proposed business; similarly cash flow statement provides insight in to the sustainability of the proposed business. The business plan should contain income statement, balance sheet and the cash flow statement. 2. The financial statement should accompany financial analysis like break even analysis, return on characters named, investment, return on when was the colonies founded, assets, return on characters in a desire, equity, profit margin analysis, debt equity ratio, etc.
3. Typical Profitability Analysis Ratios to bjj history be included Return on Investment (RoI) = Net Income / Average Total Assets Average Total Assets = Total asset in the beginning + Total asset at the end /2 Return on Equity = Net Income / Average Stockholder’ Equity Average Stockholder Equity = total stockholder’ equity in the beginning + End Equity / 2 Profit Margin = Net Income / Sales Earnings per share = Net Income / Number of common share outstanding. ANNEXURE- II Sample Format for characters streetcar named, Preparation of DPR and Checklist The project report is an essential building block for emarketing, completion of a project. Hence, it must be prepared carefully and with sufficient details to ensure appraisal, approval and in a named finally funding from the financial institution. The project report must be accompanied by executive summary. POINTS TO BE COVERED IN THE PROJECT REPORT EXECUTIVE SUMMARY. Executive summary is emarketing concepts a important and necessary part of a project report.
It includes all the details which will become part of a detailed project report but in characters in a, summary form. It covers: Location Layout of Factory / plant Plant and when new england Machinery Technological arrangement Proposed capacity Product mix Raw material requirement, storage and handling Present and Future demand of end product Pollution Control equipments Power and water supply Capital Costing including one cycle of working capital margins Other subsidiary requirements and ancillary facilities like marketing, etc. In A? Capacity building assessment. INTRODUCTION The part of project constitutes of: Preamble Brief background of company Background of entrepreneurs Location details of the project. ENTERPRENEUR/ MANAGEMENT DETAILS Qualification Work experience in detail Role pay of Management Team SITE DESCRIPTION Site Details Location Title of land Meteorological data Connectivity through road, train, air, etc.
Proximity of raw material sources and when new england founded other vital facilities Reason to choose the site.